Latest in progress from AHG

GGJaguar

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Looks great! Will you use pore filler on the neck? That heel has some big pores!
 

AcornHouse

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Working on the miters for the end graft frame, but my supervisor seems to have some issues.

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AcornHouse

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Feel much better about this second attempt at the end graft. It makes more sense and works better. See!

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(Or, maybe, you can’t see. 😏 Just have to wait until the glue sets and it’s unwrapped and cleaned.;) )
 

JohnW63

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I'm taking issue with the poor exactness of that taping job! I've been accustomed to more precision from you.
 

Nuuska

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I'm taking issue with the poor exactness of that taping job! I've been accustomed to more precision from you.


I believe he did that on purpose in order not to depress us mortal whimps 😊
 

GGJaguar

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Oh sure, abalone is forbidden but fancy buckeye burl is okay. Does Boss Cat know? ;)
I can't wait to see how the burl grain pops after the finish is applied.
 

AcornHouse

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Back to work on the end graft today. I have come to do mine a little differently than most. Instead of routing out a wedge (or whatever shape BEFORE putting the binding on, and then matching the binding up with it, I inlay after the binding, cutting into it. Like a framed little picture.
So, after using marking knife and chisel to define the outer edges, the tiny router plane comes out to play again, removing the bulk of the maple, leaving a nice clean bottom surface. Then I’ll use the chisel into the binding part to finish up.
Yes, I could make a jig and use the laminate trimmer to rout it out in one quick pass. But that still leaves the corners to do by hand and with the time it takes to make the jig, it’s a push, at best. Not to mention the whirring bit of death ready to destroy in a blink of and eye. ;) And Nica can come in and keep me company whenever she feels like it without having to don eye and ear protection. (She HATES those!)


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Nuuska

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I have a boring stupid question while all this beauty and skill has been shown to and observed by so many of us. How do you decide the selling price of these instruments w so much labour involved ? - While after all countless hours of tedious work there might be a slight chance that the instrument is not going to turn out as planned - or am I totally wrong with this gloomy depressing thought ?

Is the price fixed w the customer before - or do you negotiate afterwards?

Yes - I'm aware that my question may seem blunt - but at least I'm open about it.

No - I do not need to know the price - just how do you do that.

THX
 

AcornHouse

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I have a boring stupid question while all this beauty and skill has been shown to and observed by so many of us. How do you decide the selling price of these instruments w so much labour involved ? - While after all countless hours of tedious work there might be a slight chance that the instrument is not going to turn out as planned - or am I totally wrong with this gloomy depressing thought ?

Is the price fixed w the customer before - or do you negotiate afterwards?

Yes - I'm aware that my question may seem blunt - but at least I'm open about it.

No - I do not need to know the price - just how do you do that.

THX
I’ve been setting the price beforehand, most likely too low. But, until you get known, it’s unlikely to get full value. I’ve just tripled the materials cost. But I have been increasing each build as I get more confident.

EDIT: On the rare occasions where I do build without a commission and sell after, then that is negotiated. For example, with La Lune (classical), I sold below what I was asking because it was to a young guitar major just starting at Marshall University who was playing on an inadequate instrument and needed something beyond what he could really afford. Even so, it took him a few months to save up.
 
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