Short Capo

frettedstrings

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Hey Jay,

I am glad to hear of yet another guitarist who enjoys using a capo and has discovered the benefits of the "cut capo". It looks like you use Kyser Capo. I believe that Scubb is the only other Capo Company that makes the "Short Cut".

-Tim (frettedstrings)
 

cjd-player

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frettedstrings said:
I suppose we would have Asus4.

DID I PASS THE TEST ????!!!! :roll: :D
:D :D :D :D :D :D

My work is done here.

Beam me up to the Mother Ship, Coastie. :wink:




PS: Love the John Deer bed spread, Tim. :lol: :lol:
 

cjd-player

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frettedstrings said:
Two of my passions:

GUILD GUITARS & JOHN DEERE TRACTORS

I have two Guild Guitars, but no John Deere Tractors......I gotta work on that! :lol:

You're not alone, Tim !! :shock: :shock:

johndeereguitar.jpg


:lol: :lol:
 

frettedstrings

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Well, it looks as though we have

12 Stringer
Evenkeel
Southernguild
and (myself) frettedstrings

on board with this "cut capo" thing. More the marrier. Who will decide to join our team next ?!!! :D Maybe Joe (killdeer)! Well, maybe ! :lol:
 

killdeer43

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frettedstrings said:
Well, it looks as though we have

12 Stringer
Evenkeel
Southernguild
and (myself) frettedstrings

on board with this "cut capo" thing. More the marrier. Who will decide to join our team next ?!!! :D Maybe Joe (killdeer)! Well, maybe ! :lol:
I plan to give it a shot. :wink:
And I must admit to having utilized the 'trick' of slipping my capo on at the second fret from the "other side" to catch 1-5 and leaving 6 open to utilize the faux dropped D. It works just fine and it's fun. 8)

Joe
 

12stringer

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evenkeel said:
Another capo "trick" if you will.

Flip the capo and clamp on the fourth fret, leaving the low "E" open. You now have a drop C tuning. If you use "C" chord shapes you are playing in the key of E. I use this capo trick on an original tune that has a repeating walking bass line going from the "G" chord shape to the low E. This requires freting under the capo, (I use my thumb). A bit of a parlor trick but a neat way to get the walking bass line.
Cool....I'll give that a try next! :D
 

kakerlak

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Here's an idea somebody can make money with if they want to spend the effort:

How about a single, full length (width?) capo with six individual firm rubber "fretting surfaces." The rubber surfaces could be cam/D-shaped, fairly think/round on one side, say maybe 1/4-3/8" thick , then flat and thinner like 1/8" or less on the other 3 sides.

These sleeves would then slide onto a thinner flat metal shaft, like many capos are already constructed.

Once assembled, 6 such sleeves could be turned independentlyso the thick/fretting surface is either facing towards the strings or rotated to the backside. As long as the fretting side is thick enough, that are turned around to the backside would be far enough from the strings that they wouldn't buzz. Now you've got a single capo that you could quickly configure to fret whichever strings you want and leave the rest open.

Anybody feel me on this? you could turn them around like a combination lock.

[EDIT] Well, I'm a little late on the idea, I guess... Started looking around to see if there's a capo that's already built in a way that you could cut it into 6 segments and use it this way. Lo and behold, there's already a capo on the market that is essentially what I'd imagined... Since 1976!

Third Hand Capo
 

wileypickett

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Great to see this! A man after my own heart.

I've been cutting up capos for more than 30 years. (I have about 50 mangled capos in my "dead soldiers" box -- experiments that DIDN'T work!)

I've made capos that successfully bar two, three, four and five strings, and have written more songs using partial capos than without them -- 13 album's worth and counting.

No one has done more research into partial capos than guitarist Harvey Reid. He has a fascinating website:

http://partialcapo.com/early_capo_history.htm

(I'm listed somewhere in there.)

While partial capos aren't for everyone, they have been steadily gaining traction over the past three or four decades. There are at least a half-dozen different kinds of partial capos commercially available.

They're mostly intended to be used on guitars in standard tuning, to replicate dropped D or a first position A chord, etc.

To me that's the least interesting of the possibilities they offer. I only play in open tunings -- haven't touched standard since before 1980 -- and I'm not interested in the theory aspect at all. What I like about open tunings and partial capos is that they allow me to explore areas I don't know, as opposed to ones I do.

Happy hack-sawing!

Glenn Jones
Cambridge, MA
 

cjd-player

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kakerlak said:
How about a single, full length (width?) capo with six individual firm rubber "fretting surfaces."

[EDIT] Well, I'm a little late on the idea, I guess... Started looking around to see if there's a capo that's already built in a way that you could cut it into 6 segments and use it this way. Lo and behold, there's already a capo on the market that is essentially what I'd imagined... Since 1976!

Third Hand Capo

Already done here as well: http://www.spidercapo.com/
 

fronobulax

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cjd-player said:
kakerlak said:
How about a single, full length (width?) capo with six individual firm rubber "fretting surfaces."

[EDIT] Well, I'm a little late on the idea, I guess... Started looking around to see if there's a capo that's already built in a way that you could cut it into 6 segments and use it this way. Lo and behold, there's already a capo on the market that is essentially what I'd imagined... Since 1976!

Third Hand Capo

Already done here as well: http://www.spidercapo.com/

And if you dig enough, you find this which compares the two. If you explore the website you will find all sorts of interesting capos.
 

frettedstrings

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Ok ! With a Full Capo at the 1st Fret and a Cut Capo at the 3rd Fret.....we have Fsus4 :?

With the Capos in these positions on the fret board, the Open Strings (Low-High) are: F, C, F, A#, C, F

Someone, please help me figure out the chords that I am playing. :D


Chords ? (Strings/Notes L-H)

1) A# (Noted)
D (Noted)
F (Open)
A# (Open)
C (Open)
F (Open)


2) F (Open)
D# (Noted)
G (Noted)
A# (Open)
C (Open)
F (Open)


3) F (Open)
D (Noted)
G (Noted)
A# (Open)
C (Open)
F (Open)


4) F (Open)
D# (Noted)
F (Open)
C (Noted)
C (Open)
F (Open)


5) F (Open)
C (Open)
G (Noted)
C (Noted)
C (Open)
F (Open)


6) F (Open)
D (Noted)
F# (Open)
A# (Open)
F (Noted)
F (Open)


7) F (Open)
C (Open)
C (Noted)
A# (Open)
F (Noted)
F (Open)


8) F (Open)
C (Open)
G (Noted)
A# (Open)
E (Noted)
F (Open)


9) F (Open)
C (Open)
F (Open)
A# (Open)
F (Noted)
F (Open)


10) F (Open)
D (Noted)
F (Open)
A# (Open)
C (Open)
F (Open)


11) F (Open)
C (Open)
F (Open)
C (Noted)
F (Noted)
A (Noted)


12) F (Open)
C (Open)
F (Open)
C (Noted)
F (Noted)
A#(Noted)


13) F (Open)
C (Open)
F (Open)
C (Noted)
F (Noted)
C (Noted)


14) F (Open)
C (Open)
G (Noted)
C (Noted)
D#(Noted)
F (Open)


Ok ! Anyone !!!! Get Ready, Get Set, Go !!!
 

frettedstrings

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I contacted my music teacher from High School......29 years after the fact, and sent him the information that I posted. I hope I get a reply. Will post his findings soon.
 
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