In the past 2-3 weeks, I've been drooling at a new Martin D-28 located at my local Sam Ash. This Martin sounded really good to me, and it was one of the better sounding ones that I've heard in a while, especially for a new, unbroken-in rosewood guitar. Well, I went back tonight with an ultimatum. I would either have to figure out a way to purchase it, or get it out of my mind forever.
So I played it again...and again. Yep, it sure sounds great to me. I also compared it with a D-35 and a HD-28. I came to the conclusion that it was better sounding than the D-35, and pretty much an even draw with the HD-28. I also played an awesome sounding Taylor 410 with the Ovangkol back and sides.
As I was getting ready to leave, I decided to take a quick look over on the other side of the room and check out a couple of the Guilds that they had on the wall. I had recently played a particular one, a beautifully done sunburst GAD-50, in the last couple of weeks or so. So I pulled it off the wall and decided to take it for a spin, taking it over to where I had been playing the Martins, so I could truly get a fair sound comparison being in the same location as before. After tuning it up to pitch, which is something that I have to do with every guitar that I try out there it seems, I put it through the paces. Hmm...this sounds pretty good. Played it again.....hmm...yes, it sure does. Certainly, it won't sound as good as the D-28 though, I'm thinking. So I pulled the D-28 off the wall and played it. Then back to the GAD-50 and back to the D-28. After going back and forth, my ears started to reveal the truth. This GAD-50 actually had more growl, "Martin growl" to it, than that particular D-28 did. In fact, the D-28 seemed to sound brighter than the GAD-50. The bass on both was pretty equal, with perhaps a very slight edge going to the D-28. The GAD-50 seemed to sound a tad "thicker" in the mids in its overall resonance and ambience. I played it again and it seemed to start to "warm up" and resonate even more. It was getting my attention indeed.
To make a long story shorter, after getting them to knock $50 off the already discounted price, I asked him to show me the case. After getting a ladder to get it off a high shelf in the storage area, he brought it out. Wow! That is one beautiful looking case. Much better than the cases that come with the D-28. That sold me, although I was sold already before I saw the case, it was the frosting on the cake!
A few minutes later, I'm walking out the door with a beautiful, sunburst, GAD-50. The interesting thing about all this, is that this month I will be celebrating my 50th Birthday. As I was checking out, I realized that here I was purchasing a GAD-50 for my 50th Birthday! A cool coincidence in my book.
I know some of you may want to see some pictures of it, so I will supply some for you to look at after this weekend, which I have to work 3rd shift tonight first, and then I am going out of town for a Folk Festival the rest of the weekend. By the first of next week, I'll try to have them for you to peruse.
Thanks for listening to my long story!
Jeff
P.S. I will probably be selling my beautiful 2001 Taylor 310 in near mint condition if anyone is interested, to fund this recent purchase.
So I played it again...and again. Yep, it sure sounds great to me. I also compared it with a D-35 and a HD-28. I came to the conclusion that it was better sounding than the D-35, and pretty much an even draw with the HD-28. I also played an awesome sounding Taylor 410 with the Ovangkol back and sides.
As I was getting ready to leave, I decided to take a quick look over on the other side of the room and check out a couple of the Guilds that they had on the wall. I had recently played a particular one, a beautifully done sunburst GAD-50, in the last couple of weeks or so. So I pulled it off the wall and decided to take it for a spin, taking it over to where I had been playing the Martins, so I could truly get a fair sound comparison being in the same location as before. After tuning it up to pitch, which is something that I have to do with every guitar that I try out there it seems, I put it through the paces. Hmm...this sounds pretty good. Played it again.....hmm...yes, it sure does. Certainly, it won't sound as good as the D-28 though, I'm thinking. So I pulled the D-28 off the wall and played it. Then back to the GAD-50 and back to the D-28. After going back and forth, my ears started to reveal the truth. This GAD-50 actually had more growl, "Martin growl" to it, than that particular D-28 did. In fact, the D-28 seemed to sound brighter than the GAD-50. The bass on both was pretty equal, with perhaps a very slight edge going to the D-28. The GAD-50 seemed to sound a tad "thicker" in the mids in its overall resonance and ambience. I played it again and it seemed to start to "warm up" and resonate even more. It was getting my attention indeed.
To make a long story shorter, after getting them to knock $50 off the already discounted price, I asked him to show me the case. After getting a ladder to get it off a high shelf in the storage area, he brought it out. Wow! That is one beautiful looking case. Much better than the cases that come with the D-28. That sold me, although I was sold already before I saw the case, it was the frosting on the cake!
A few minutes later, I'm walking out the door with a beautiful, sunburst, GAD-50. The interesting thing about all this, is that this month I will be celebrating my 50th Birthday. As I was checking out, I realized that here I was purchasing a GAD-50 for my 50th Birthday! A cool coincidence in my book.
I know some of you may want to see some pictures of it, so I will supply some for you to look at after this weekend, which I have to work 3rd shift tonight first, and then I am going out of town for a Folk Festival the rest of the weekend. By the first of next week, I'll try to have them for you to peruse.
Thanks for listening to my long story!
Jeff
P.S. I will probably be selling my beautiful 2001 Taylor 310 in near mint condition if anyone is interested, to fund this recent purchase.