I think you are right. I'll give it a shot, and if I still have trouble with a power winder, I'll bite the bullet and get two sets of Waverly gold open backs and swap them out.Bill Ashton said:
Thanks, I try, even though my poor F-212 spent a decade or more in sleazy gin mills, I've done my best to keep any problems in good repair. As to my F-50, I consider it to be a "rescue guitar." I got it third hand around 1980, and it had been thoroughly abused by at least two former owners. It had light gauge flatwounds, buzzed like a bee, had gouges in the back of the neck (only recently rectified as much as possible), cuts in the body binding, neck binding in pieces (some in the case) and somehow the back of the body had some hard to remove red splotches (some are still there). Despite all that, it still sounded like an F-50, and because of its cosmetic condition I got it for about $100-150 less than the going price at the time.Taylor Martin Guild said:
Brad Little said:
And if he's apprehended in the performance of his mission we'll all disavow any knowledge of him.devellis said:
Wasn't there an Allman Brothers song..."'Tied to the Tuning Post" or something like that?Bill Ashton said:
Okay, correct me if I'm wrong, but I'm under the impression that the Fender tuning posts had a locking mechanism in the "hole." The Gotohs do not.Bill Ashton said:
I have that book, I'll have to dig it out. Thanks for the tip.Bill Ashton said:
