What makes you a Guild fan?

kitniyatran

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I had a wonderful Martin D18 for almost 20 years. After having been without a guitar of that quality for 10 years or so, after I stared playing for my church, I began to feel the need for a "good" guitar again. The best candidates I found were a walnut back Taylor for $1800 and a $1000 Martin in rosewood. Then I found a Guild D 25NT for a LOT less than either, that impressed me about as much; in fact, it compared favorably to my former Martin, for less than I paid for it in 1976, 31 years before. With it, I feel no need for another guitar(mandolins, though...), and I frequently refer to it as like a D18 on steroids; the same but better: bigger sound all around.
 

GF60MP

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He does a version of "Bells of Rhymney" that makes you realize why he was a legend

Chaz, I have seen that video. It is spectacular! JD was IMHO a better guitarist than he was sometimes given credit for.

And as for that F612...well THAT'S why I like Guild!!
 

chazmo

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GF60MP said:
He does a version of "Bells of Rhymney" that makes you realize why he was a legend

Chaz, I have seen that video. It is spectacular! JD was IMHO a better guitarist than he was sometimes given credit for.

And as for that F612...well THAT'S why I like Guild!!

Amen! RIP, JD!
 

Dr. Spivey

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The tone got my attention first. Then as others have mentioned, quality, consistency, playability etc.
In brief, good stuff that works.
 

zplay

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Graham said:
Hey Kats, great post!

For me when I was looking for a new guitar I played a bunch of them. I only really knew Gibson, Taylor, Martin and Washburn as names as they were the ones prominently displayed around town.

I started to see many more names as I visited more shops, Takamine, Larrivee, Ovation, Epiphone, etc. I visited a store I had not been in before and I saw a real nice looking guitar, kewl headstock, nice looking pick guard. Had Guild on the headstock. Never heard of them. It was a Guild GAD-50. At this point I still knew nothing about tone woods, body styles, string guages, yada, yada, yada. Anyway this guitar sounded exactly what I thought a guitar should sound like, and it felt real nice to hold.

I went home and used "The Google" to find out more info. Some how I ended up here and started talking with the good folks.

I joined here in October of '06 without a Guild and only knowing the name from that GAD-50 in the store. By January '07 I had 3 Guilds. :shock: I was in love with the sound. Some people say they are "overbuilt". I do not know what they mean by that, but even today as I play other guitars I always gravitate back to the Guild sound. There are other names I am familiar with now and there are other guitars that I think sound very, very good, including the Taylor 814 :shock: , however when it comes down to dollars and sense, the Guilds win out again.

They do seem to be under appreciated, even under valued, but that's OK by me.

What I have also found here, is a group of people that I am glad to call friends. If you hang around long enough you will also see that this community is like a communal living room. We are always here, we do not always agree but the one thing that unites us are the guitars.

Don has created a place that we have been able to form in our own way without much Administration involvement. We pretty much monitor ourselves, though spankings are doled when necessary. :oops:

Guild guitars are, to me, more than an instrument. They are a sound, a feel and a community.

Again, great post!

Very well put and from the heart, Graham!
Also very much agree with the sentiments that this forum and the rapport are part of the Guild thing for me.
I didn't start looking at Guilds till the Contemporaries came out and caught my eye(and ear). Then I visited here and ..... the old story: 4 Guilds have followed. Quality of build, bang for the buck and versatility have been selling points for me. I don't know that I personally can identify a certain Guild tonal signature, but i appreciate the balance and responsiveness I hear and the fact that every Guild I've played has worked well both fingerstyle and picked. The necks are nice too.

And like another poster said, I like the fact that Guild has flown a little below the radar.
 

Scratch

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Something magical about Guilds and I find it hard to describe my feelings. In the late 60's I knew Guild was THE 12 string guitar to own. I always wanted one, but could never afford one. My ole Epi Texan 12 got me by nicely, but I always wanted that Guild 12er. I forsook pickin for so many years. Busy with a career; raising a family and all, then came back to my love and realized that at long last I could afford a Guild. I had Martins and Taylors (though never a Gibby) which were nice but never provided the magic I found with Guilds. Gotta credit this site and the great LTGers who hang around here with that.

In the last 30 months, I've bought and sold Martins and Taylors and bought more Guilds than my wife appreciates. Never had the courage to get up and play in front of folks till I came here. Given that and after much research, I sincerly appreciate the brand like no other; in fact, I now compare all others to Guild.

No other 12 string comes close (including two Martin & 2 Taylors along the way) and although I don't play 6ers as much as the 12ers, I traded a pristine Martin D35 for my DV52 and strongly feel I came out on the best side of the deal (Thanks FungusYoung!).

I'll wait to judge the New Hartford pieces, but I know from personal experience that Westerlys deserve their enviable reputation for quality and performance; and the Tacoma-builts are wonderful instruments that will only get better with age. OK... So I'm a Guildaholic and I wouldn't have it any other way...
 

dreadnut

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yeah, great thread :D

I'm going to echo a common theme here : It was 1976 and I decided it was time to get a real guitar. I was pre-disposed toward a Martin because, well jeez, all serious guitar players own Martins, right? I played the Martin D-18 and the mahogany Gibson, then I asked to play the one I didn't recognize, turned out to be a Guild D-25M. It was love at first sight. Arched back, beautifully grained mahogany sides & back, spruce top, it just exuded quality and sang like a bird. Then I saw the price tag, and I couldn't believe it was half the price of the Martin D-18 :shock: Walked out of there with a brand new Guild w/ hardshell case for 300 clams.

It's still serving me well, and still sings like a bird.

I would have to say I'm a Guild-o-phile for the following reasons, in this order:

1. Tone
2. Beauty of wood and finish
3. Value

Plus, I get to associate with the LTG community, that's icing on the cake :D
 

BluesDan

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24837957.jpg


'Nuff Said!!!!!!!!!
 

Taylor Martin Guild

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It was John Denver that introduced me to Guild.
It was the craftsmanship and sound that kept me with Guild.
It's this forum that makes me want another Guild.
Curse you for that! :twisted:
 

dogberry

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BluesDan said:
24837957.jpg


'Nuff Said!!!!!!!!!

Ditto! Great pic of my favorite picker and favorite guitar!

I started out with a cheap Yamaha when I started taking lessons back in the dark ages. Heard a Guild 12 string, and fell in love. Saved up forever to buy an F212 in '75, and will never let it go. Got a D-40 this year, and it's the only thing that can make me neglect the 212. Like lots of others, have owned and played a lot of guitars, and I always find that the Guilds sound better than anything else, and I sound better when I play a Guild than when I play anything else.
 

Frosty

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Put me in the "my hero played a Guild" camp. It started with Tommy Smothers - that D-50 TV Special was the best looking guitar this kid had ever seen! Then it was Dave Van Ronk and the glassy yet warm tone he got from that F-50R... and John Renbourn who played at D-55 during the Black Balloon days, love the tone of the guitar on that recording. I was also a fan of the Lovin' Spoonful... and Zal Yanovsky only sealed my affection for the brand.
 

stclrob

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I picked up a S 100 a while ago and the build quality over the SG and similar SG-style guitars was very obvious right from the get go. I never had that headstock sag that I got with an ESP viper and it feels much wider and bigger than my friend's SG. Then I played the radically different S 300 and now it is my go to guitar. The neck is simply my favorite and the HB-1s are fantastic. Pretty cool info on that one here. I'd like to try the Hoyer sometime, too!
 

fronobulax

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kats said:
Hi, I'm new to this forum, though I've been active on the AGF. Being a first time Guild owner, I'm curious as to what makes you a Guild fan. What are the qualities that draw you to Guild? And anything else you would like to share. Thanks.

Welcome.

I'm a Guild fan because at the time my preferences got "set in stone" Guilds were not Fenders of Gibsons and there was just a bit of the counter-culture streak that made it important to play what the other folks weren't.
 

kats

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Qvart - I've never seen an electric like that; in fact, I didn't know Guild made electrics until joining this forum. Cool engraving!
 

stclrob

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kats said:
Qvart - I've never seen an electric like that; in fact, I didn't know Guild made electrics until joining this forum. Cool engraving!
Nature boy!!! :lol:

There is a bass with carvings on eBay right now, too.
 

GAD

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kats said:
Qvart - I've never seen an electric like that; in fact, I didn't know Guild made electrics until joining this forum. Cool engraving!

Guild made some of the best electrics ever.

_B0Z6441_800.jpg


Any their hollow bodies and semi-hollows kill as well:

_B0Z6313_800.jpg


I could go on all day. :)

GAD
 

JerryR

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Hi Kats and welcome. I can only speak for the acoustic variety - but a Guild has volume and 'thunder' when you want to play it that way - or great delicasy if you so choose - so much more than other guitars I have tried :D
 

geoguy

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Qvart said:
I actually ended up with one of those, along with a Pignose combo amp (not the pocket-sized/battery-powered gizmo, rather about the size of a 5- to 10-watt practice amp) back around 1980.

A college girlfriend & I split up, & she owed me some money. She knew I enjoyed playing that carved Guild, & gave me that & the amp because she didn't have any cash. At that time the guitar & amp were worth only about half of what she owed me.

Feeling pretty annoyed with her at the time, I sold (er, more like gave?) the guitar & amp to a co-worker, who had a kid just learning to play guitar, in exchange for roughly $400. (*bangs forehead on desk, repeatedly*).

Both were in perfect shape . . . the Pignose had just about the best crunchy/dirty tone I've ever heard!

Not one of my smartest moves. :(
 
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I have owned a Stella ,Harmony ,Seagull ,Martin,Washburn...

The first time I had an opportunity to play a Guild was when my friend Pete handed me his 1976 D55. I am ashamed to say it felt heavy in my hands and had this big deep tone which felt...old...? I handed it back to him in less than 2 minutes.I said,uh,no thanks buddy.

Twenty five (25) years later I found myself buying 3 Guild acoustic guitars in 2008; a 1973 Guild D50 "Bluegrass Special", 1981 D50 "Bluegrass Special",and Petes' old 1976 D55. I play all 3 every week. I love them because they help me to express my heart more effectively than any other guitar I have played. Crazy? Sure.Who woulda known,eh? And here is the kicker...I play now more often and better than ever before...and my passion for music is off the chart. My, oh my,what a great guitar can do for a poor mans' soul. :p
 
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