I took out Blow by Blow, which hasn't seen my turntable in decades, cleaned it up, and played it. It was an interesting experience.
I loved that album so very, very much at the time.
I still loved it but less this time, except for Jeff's playing. Take Jeff out and what's left is a sort of MOR Easy Listening Mahavishnu Orchestra, more generally accessible because of its reduced rhythmic and harmonic complexity, less weird. Quite dated sounding. Put Jeff back in and its lovable again.
It was an interesting relationship between McLaughlin and Beck. They toured together at some point, Beck as the headliner, I think. McLauglhin bought Beck a nice Strat as a present. But Jeff sometimes diss'd McLaughlin, calling his tone "cheesy." And yet McLaughlin's influence is very much present on Blow by Blow. I wonder how much the influence went the other way.
Two very different monsters. For tone and control of individual notes and phrasing Beck eats McLaughlin alive. For mastery of complex time, changes, harmony, scales and modes, microtonal (Indian stuff), and just sheer Coltrane-like speed, McLaughlin dwarfs Beck. Apples and oranges.