Wow Al, that is great information. I am going too Diest that over my coffee this morning before I get to playing. I still can't believe I scored this guitar. It looks brand new, no fret wear or fretboard markings and barely a pick scratch. For 23 years old its amazing,
Forgot to mention how nice that top is, then remembered a couple more details:
That's what's known as a AAA top. I think now that besides the very even tight consistency of the grain, AAA's supposed to have a minimal amount of shading variation where the lignins tend to redden up along grain lines. I actually call my F65ce's AAA top "white bread"
.
Take a look at the silking, how fine and evenly distributed it is, too. Part of that's due to using "quarter-sawn"planks for tops, but even the raw planks have a range of grain variation which also affects how the silking looks. Thus the "grading" system.
All of Guild's wood from the mid-70's til end of Westerly was sourced and graded by one guy, Willie Fritscher, whose standards were probably a little higher than average, or maybe it was just because he could be more selective by not having to acquire the kind of volume required by guys like Gibson and Martin.
Anyway, it's been proposed in discussions here that Guild's grading was very conservative and their tops would likely have been graded higher by other guys, even the entry-level stuff..
So for the sake of showing you how the raw materials were selected, another article from a Guild Gallery: