davismanLV
Venerated Member
- Joined
- Mar 24, 2011
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- 19,450
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- U.S.A. : Nevada : Las Vegas
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I'm sharpening my saw right now..... sit tight!!
I'm sharpening my saw right now..... sit tight!!
Jane!! Where do you be these days??? Even in Vegas it's still earthquake zone.....In the land of earthquakes...nothing you value stays out...or above your head.
Except my hard-hat.In the land of earthquakes...nothing you value stays out...or above your head.
Golfer Craig Stadler, (The Walrus.... one of the more endearing Joe lunch pail pros ever), was once asked why he had a new putter...."the old one didn't float"Except my hard-hat.
Or as Kimi Raikonnen once said when asked why he had a new helmet: "It protects my head."
No.. . . If doing this, does the “keep guitars in their case” really needed ? . . .
Not taking that road. You'll have us worrying about dust in our coffins next!Another case guy. In addition to any humidity or protection issues that have been mentioned or dealt with, there is one fact of life that we can’t get away from, no matter how fastidious or pet free: dust. Unless you enter the room exclusively in PPE garb (see above GGJaguar profile pic!) and have no carpeting and cloth covered furniture, you will be generating dust which is easy to wipe off the outside (sending it airborne again), but hard to clean out of the inside of a guitar. (Just ask any scientific company how much it takes to maintain a ”clean room”.)
In a case, its the outside of the case that will accumulate it, not the inside of your guitar.
Nice thing to look at : congrats !My guitars stay out in a humidity/temp controlled atrium. Cases are empty and in the closet. If I had to pull a case, open a case, stow the case and then reverse the process every time to play them, they'd never get played. So I do what works for me. They're fine just like they are. Many here cringe when I say this, but I'm good at making people cringe. This works for me.
The 12 is a Martin Performing Artist GCPA4-12. All solid wood, Sapele and Sitka. It's going to be sold soon, as it's been played exactly 10 times.Nice thing to look at : congrats !
What's that GA format Martin 12 strings, and that other one that would look like a Lowden - with split saddle - if it wasn't for the bridge (it seems to me) ?
I wonder if it'd be possible to point at a favorite one there...
I recently was in the hunt for another cedar topped guitar after foolishly selling a wonderful Bourgeois JOM to a friend, and found this delightful 2017 O-22. I absolutely love it, and it has a completely different sound compared to all my others.The one with the split saddle is exactly what you described. When the employees at George Lowdon's factory took over the factory in Ireland and sent him packing, they changed the name to Avalon. So this is basically a Lowdon built in the first year after taking over his factory. Same people, same woods, different name. It's an incredible guitar and it's not going anywhere!
Thanks for the photograph : really dig it. In my opinion this guitar is probably an even better choice than a Bourgeois. These guitars have so much of their own personality I find...I recently was in the hunt for another cedar topped guitar after foolishly selling a wonderful Bourgeois JOM to a friend, and found this delightful 2017 O-22. I absolutely love it, and it has a completely different sound compared to all my others.
Since this photo was taken, I've swapped the gold tuners for chrome ones, but have kept the ebony buttons.
Bernie, thanks for the spelling correction. I know better. But thank you so much. It's a great group of guitars. All mine are in different tunings so what guitar I grab depends on the song. That makes me sound way more talented than I actually am. But I love to play and I do it because I love it. Not because I'm good at it.Thanks for your answer Tom...
- Oh, a GC (Grand Concert I bet) ! Thought it might be, but that seemed too small to me for a 12 strings, and GA and GC are not very different...
- Never heard that employees ever took over the Lowden (btw not 'Lowdon') factory, and sent Sir George packing : when was this ?
Lowden are supposed to be quite outstanding... I think/thought Avalon got started by an ex Lowden luthier yes, but within his own facilities in Ireland too I believe (although I know Lowdens have been built in Japan between 1980 and 1985 too...). You may know more than I do, as haven't even ever played a Lowden once so far (but I've often looked at their website and discussed various things about them on some other - French - Forum)... I will ask to the knowledgeable folks there too...
That makes quite a few great guitars for you to enjoy...And it's cool to have them all ready to use (that's a thing I wish I could do too) . Have fun !
I'm not sure about that, that Bourgeois JOM was/is an exceptional guitar. Dana's earlier builds are the best ones, I think. I called it the "Birdcage Maserati" because it was so light, and the bracing so fine.Thanks for the photograph : really dig it. In my opinion this guitar is probably an even better choice than a Bourgeois. These guitars have so much of their own personality I find...
I would say Santa Cruz are more like Martin clones (and very good ones). Dana built his reputation more on OMs, and perhaps more so the Slope D, AKA "Banjo Killer", My '97 Slope D-140 pre-dates the "BK" era, and if anything is more of a Gibson clone, but mine sounds way better than any Gibson slope shoulder short of a pre-'50s model that I can't afford.I had never seen a Bourgeois like that ; looks like a dreadish OM, with a size that may be even larger than a dreadnought...And with a cedar top : in spite of a "Martinish" overall look, it is truly different in many ways it seems.
I'm used to Bourgeois being kind of Martin replicas (we don't see/hear of, many here), therefore my comment : and you seemed to regret your Bourgeois so much ; follow the way the Lowden would take you to, and you might find what it's fully worth...