If you could only keep one of your basses, which would it be?

lungimsam

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It would be a tight race between my Green Starfire II bass and my Ric 4003 bass. But I think the green Starfire would win.
I also have a Fender Pbass and a Gibson LPDCT bass, and a Starfire I bass that are all great in their own way.
 
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Guildedagain

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It would be Dano vs all the rest. Lighter than any other, with more frets, it's a no brainer with deep thumpy tone and very passable acoustic volume, hollow.

A relative unknown, this 1444 bass debuted in 1959 in the Sears catalog "with 4 octaves" and in fact the same neck as the vaunted "Longhorn" bass, so it's basically a longhorn bass on the cheap.

Analysis, Dano still rules for cheap and great together, and that Tic Tac tone is where it's at for so much 60's music.

This one reminds me of vampire somehow, Count Bassula ;]

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I am the Count ;]


And in bigger coffin, does not like daylight.

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La Bella makes dedicated strings, not even Guild has that.

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Weight is very old folk friendly.

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fronobulax

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Why? If it is because I am no longer playing out the one keeper would be the '67 Starfire I. But if I am still backing Mrs. Fro. then the B-50 might be the last bass standing. However I am unlikely to thin the herd voluntarily since every instrument fills a different niche for me.
 

Guildedagain

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However I am unlikely to thin the herd voluntarily since every instrument fills a different niche

In recordings, all my other basses, the other a hollow body and P Bass, sound similar enough that I could easily narrow it down to one instrument and have been trying to do that all along, wishing I hadn't sold my '71 P Bass but glad I did, too big, too heavy, just too much bass for me. When I had my 1st P Bass back in the college days, a '62, I never thought anything of the size/weight, but the bass just outgrew me and as much as I'd like to own a good Jazz Bass at least once, they're just too big.

For pure fat bass, nothing could top my '63 EBO, it would make a real bass amp out of a 2x12 Bassman and that's saying a lot, but in a live setting through bigger amps it was way too muddy and distorted for me, lacking any definition.

But if you wanted to buzz the room, nothing could come close.

Played in a Blues band in rowdy small bars all up and down the West coast for decades and never broken/repaired.

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The band it was in, Boogiemeister. Bass player was a friend of mine, the guy on the right. RIP Brian.
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My only bucket list bass left is a Rick.
 

mgod

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Why? If it is because I am no longer playing out the one keeper would be the '67 Starfire I. But if I am still backing Mrs. Fro. then the B-50 might be the last bass standing. However I am unlikely to thin the herd voluntarily since every instrument fills a different niche for me.
Well said!
 

Minnesota Flats

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My choice would be the beautiful, mint, Westerly SF-II that I purchased from mavuser. I also love my NS SFs, but the Westerly is a significant step up and such a visual stunner. It would be extremely difficult, if not impossible to replace in kind.

 

mellowgerman

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What’s the sentimental story?

Okay okay, I'll attempt a somewhat shortened version of this long story 😁
It came from a friend with whom I believe I first crossed paths in some JackCasady/Guild-related youtube comments section, circa 2008. We've always lived on opposite ends of the country, but stayed in touch via email and social media over the years and he even passed along a lot of very cool Jefferson Airplane stuff that he had collected since his youth (news paper clippings, articles, books, 45's, etc.) in a re-occurring series of "a small package of value will come to you, shortly". At one point he brought up this Starfire bass. His main player had long been a 1968 Starfire II, but he came across this 1970 somewhere along the way, second-hand, and had the idea to make a Casady inspired hot-rod out of it. That project never quite took shape though and it sat safely and practically untouched, in it's case for decades. When he offered to sell it to me, at a very fair price (especially considering the very clean, original condition it was in) I was super stoked. That said, I was a roaming explorer of sorts at the time and did not have much stability or consistency in my life at the time. Thankfully though, my friend was patient and in no rush to unload it. He felt that if I wanted it, it should go to me. Sure enough, on February 6, 2017 (7 years and 1 day after he initially proposed the idea of passing this bass along to me) it arrived.
I was immediately in love with it, from the moment I first opened the case and started playing it. I enjoyed it plenty with the single neck pickup and passive volume/tone/suck-switch circuit, but within a year I worked up the courage to commit the vintage-gear-collector's ultimate sin... to start working toward the bass's long-intended metamorphosis into a dual-pickup, Casady inspired hot-rod. Gradually, it has undergone a lot of changes but it has always maintained this really distinct je ne sais quoi... maybe influenced a little by sentimentality, but it just feels like home to my hands and my ears. I hope that someday I can pass it along to my kids to remember me by, ideally by using it, but mounted on a wall works too.
 
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teleharmonium

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I don't have a lot of basses, but they all fill different needs, and some of them are long term relationships. The last two standing would probably be my turquoise Ric 5 string (with a high C string for fingerpicking/baritone/bass vi type of things) and a blue Kustom K200 short scale with DeArmond single coil pickups.
 
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