Only problem with it is the digital stuff used to recreate 16 different amp voices. If you want an all tube amp, get an all tube amp. This isn't an all tube amp. Fender would have done much better to leave out the digital stuff, and just run as a straight tube amp.
Kostas
P.S. In the first review, the reviewer states "the amp the big boys wish they had". Well, it occurs to me that the "big boys" could have any amp they want, including this one. The fact that the "big boys" use something else should be telling enough.
P.P.S. You also may want to take a look and see if you can find a Peavey Bravo 112, or a Laney LC30-II. The Bravo is a real hidden secret, and is versatile as all get out; good cleans, decent overdrives. Its actually a 2.5 channel amp; Clean channel, Overdrive channel, and a boost for the Overdrive channel that can really boost gain. The Laney LC30-II is very British in sound, with really, really nice cleans, and a passable overdrive channel. The Bravo is about 20-25 W out of 2 EL84s, and the Laney is 30W out of 4 EL84s. Both have spring reverb, both have master volume.
Kostas
P.S. In the first review, the reviewer states "the amp the big boys wish they had". Well, it occurs to me that the "big boys" could have any amp they want, including this one. The fact that the "big boys" use something else should be telling enough.
P.P.S. You also may want to take a look and see if you can find a Peavey Bravo 112, or a Laney LC30-II. The Bravo is a real hidden secret, and is versatile as all get out; good cleans, decent overdrives. Its actually a 2.5 channel amp; Clean channel, Overdrive channel, and a boost for the Overdrive channel that can really boost gain. The Laney LC30-II is very British in sound, with really, really nice cleans, and a passable overdrive channel. The Bravo is about 20-25 W out of 2 EL84s, and the Laney is 30W out of 4 EL84s. Both have spring reverb, both have master volume.