From Passive to Active LTGer

harpinator

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Howdy Folks,
I've been a passive LTG member for quite a while, and have thoroughly enjoyed checking the site out on a regular basis. There is a huge wealth of knowledge here on these fine guitars, and its been fun and informative listening in on many of the conversations. In brief, my introduction to Guild was by chance, since Guilds don't tend to be prominantly featured in the music stores I've frequented in the south. I was looking for an amp for my SG in the local guitar shop. In order to sample some amps, I started looking on the wall rack for something to play. My attention was riveted to an old Guild archtop on consignment, a 65 Guild T100D. Now here was a guitar with character, mojo, whatever. I pulled it down, plugged it in and started playing. It didn't take long, I was hooked. An amp can come later, I bought the Guild that day and saved up for an amp. That was about 20 years ago and since then I have developed a chronic case of GAS, primarily for Guilds. I currently own an early New York X50, a 1959 M65 3/4, and a 1968 M75. Other Guilds have come and gone, but I have loved them all. The problem with GAS, as many of you well know, is that acquisition often requires liquidation, thus the T100D, a D15 and a CE100 are no longer in my possession. Anyway, I'll try to jump in in the future and contribute when I can. I know I'll have some technical questions since the M75 is a work in progress, having started as an unfinished ebay acquisition, but has not quite reached its full potential. I hope to get some better shots of my Guilds soon, but here they are so far.

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krysh

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you don't have to worry, it's only 3 electric guilds.
step aside the acoustic ones, they'll really spoil you. :mrgreen: :mrgreen: :mrgreen:


pah, and wecome.....to be polite.... :mrgreen: :mrgreen: :mrgreen:
 

AlohaJoe

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Don't hang around outside, come on in and have a cup of coffee! Those are some nice looking instruments... I've recently started to develop an interest in the M-65, M-75 but don't really know much about them yet, so I'll be interested in the progress of your project. Thanks for posting the pics!
 

cjd-player

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Yes, welcome, harp. Glad you finally spoke up. :D

Since you've been around awile, you probably already know when to duck. :mrgreen:
 

matsickma

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That is a interesting M75 Bluesbird you got there. Am I mistaken or did you install a truss rod cover from a DeArmond M75 on that beauty? Also is that M65 a 3/4 model?

Welcome aboard!

Mike
 

capnjuan

Gone But Not Forgotten
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Hi Harpster and welcome to LTG! CJ
 

harpinator

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Thanks for the feedback and support guys.
The M65 is a 3/4 size which is easy and fun to play. It is stock original
The M75 does have an aftermarket? truss rod cover (good eyes matsickma). I picked it up on ebay and it states "Guild M75". It is plastic. You'll notice the pickguard is not original either. I traced out the guard for the M65 and had somebody cut me a new one. Pickup covers and harp were gold plated, since it was well worn when I got it. Has a new set of Grovers, which keeps it solidly in tune. I went to this trouble after I got the guitar back from a luthier who refinished the guitar. He called it a honey finish (clear but tinted). The result was stunning. The wood grain just jumped out, and the mahogany on the back glowed. Those tarnished parts just didn't do the guitar justice. I'll try to capture that in some pictures.
The X50 is also a very nice playing and sounding guitar. I've noticed the Franz pickup can do slide blues very nicely. I think this is very early Guild because there is No s/n stamped on headstock. The label is torn, but there is a remnant of a ghost and New York, NY. No harp tailpiece, and those cool ice cube knobs.
 

jp

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Hey harpster,
Glad you came in from the cold! Thanks for sharing pics. Especially like the M75! :mrgreen:
 

harpinator

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I'm taking Daryl's advice and delving into my M75 work in progress. I have a few better pictures here that highlights the finish and updates
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The refinish was done by Classic Ax in Nashville, who did a fine job. I'm not sure what the original color was, since I bought it in an un-finished state. But it was likely a solid color (black?) since the back appears to be a 2-piece. They also made a complete headstock overlay since the old one was trashed. New grovers, and a newly cut pickguard (traced from the M65) were added. The pickup covers and harp were re-plated. Should have worked on the covers a little bit since there is some oxidation on them. She looks great and feels great. The only issue I have is the pickups. They seem to be loud enough but they are quite microphonic. That is they seem to amplify every every touch of the strings, much like tapping a microphone. That drives me crazy. Also, they don't seem to deliver the type of Blues tone I am looking for, as the Franz in my M65 (overdriven sound on a tube amp). Of course that just may be a characteristic of the guitar itself. Even though it is structurally similar to the M65, I can tell it is quite different in terms of top wood, appointments and workmanship. And it could be the M75 is more suited to jazz.
Given my search for tone I am considering changing out the pickups. I am sure that is a topic that has probably been discussed at length here. The mini buckers appear to be difficult to replace without cutting bigger holes of a standard humbucker. That would open up several choices, including HB sized P90s I have seen discussed here. Since P90s were on the original Aristocrat, I wonder if anyone has experience with that model and its sound. Daryl suggested I consult with the experts here before I make any rash decisions.
 
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