Building an acoustic tele that worked eventually

tmessenger

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There are a few acoustic telecaster-ish builds that have shown up on youtube that more or less mimic the Fender Acoustasonic. My build started in the left field and then progressed over into the right field (and no I'm not being political).

For some reason that even I don't understand I had a thought to build an acoustic tele with nylon strings and a piezo pickup under the top. Let's just say the tone was less than inspiring, nylon strings really need a big airbox to bring out their beauty, lesson learned.

So next up was a set of Ernie Ball Super Slinky 8-39 steel strings, this really woke up the tone, not loud or heavy on the bass side but very pleasing and fine for acoustic-only practicing. The Ernie's have the same string tension as normal nylon strings so they worked great with my lightly braced Sitka spruce top. (see top photo). The piezo was the next to go when I installed a scatter wound Alnico II humbucker. Oddly with the humbucker installed and most of the soundhole blocked the tone improved and the acoustic volume did not decrease, go figure!

I used a Paulownia wood body blank and a Guitar Fetish XGP maple/rosewood 21 fret neck with Kluson vintage style copy tuners. The neck is nice with good fret-work but it came with a very cheap plastic nut so I made up a nice bone nut for it. The finish is 5 coats of blond shellac, the guitar now plays great and is very light for an electric at 4 lbs 2 oz.

You know the old saying, "everything is cheap when you eliminate your own labor from the equation", all in I have about $240 for the parts. My wife bought me a Spark modeling amp as a pre-birthday present so now I'm ready to rock.

Tim
top.jpg
finished.jpg
 

GGJaguar

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Nice! Fender could learn a thing or two from you. :)
 

tmessenger

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Cool. Why did you put the pickup there?
It's a good question and there was a consideration given to the pickup placement. First off Paulownia is a very soft wood and quite flexible so I had intentionally left some wood blocking behind the neck pocket when I carved in the acoustic chamber. I wanted a really good connection with the top glue joint in that area and some extra beef to prevent neck dive. I also wanted the more warm and full sound from a neck position pickup so I moved it up as far as it could without compromising the body structure. This guitar holds tune dead on so I think I made the right decision not to carve up the blocking to move the humbucker closer to the neck. The humbucker location now is very similar to the position found on vintage Gibson ES-125 single pickup archtops. I owned one of those many years ago and liked the tone so this all worked out.

Tim
 
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