bobouz
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Since I live on the north Oregon coast, I've long had a curious interest in myrtlewood, which only grows on the southern Oregon coast & a small portion of the northern California coastline. I hadn't purchased a guitar in six years, was very satisfied with the instruments I have, and wasn't really looking for anything. But I do occasionally window shop & wouldn't you know, something came along that managed to push a whole bunch of aesthetic buttons - and was only 90 minutes away!
Breedlove has been building instruments in Oregon since 1990 - many of them utilizing myrtlewood for the back & sides, and sometimes even for the top. But I'd never seen this traditionally styled model before, and for good reason. It was only in production for one year, 2013, as part of a three-instrument Oregon Series. The following year, they revamped their lineup considerably, and this model went away. Also, the stylized 'B' headstock logo (which I find very attractive) went away as well. Seeing this listed in a shop so close to me, I just had to check it out. Turns out it's a fingerpicking winner, so I worked out a trade & brought it home. In this example, the myrtlewood back & sides produce a tone that seems to reside somewhere in between maple & mahogany. Notes bark out like maple, but have a longer mahogany-like resonance. Fingerboard, bridge, & headstock overlay are ebony, the neck is maple, and herringbone trim surrounds the rosette & top binding. The solid spruce top has a gloss finish, while the solid myrtlewood back & sides have a rather shiny satin finish. Having never played a myrtlewood instrument before, gotta now say they’re worth a look!
Breedlove has been building instruments in Oregon since 1990 - many of them utilizing myrtlewood for the back & sides, and sometimes even for the top. But I'd never seen this traditionally styled model before, and for good reason. It was only in production for one year, 2013, as part of a three-instrument Oregon Series. The following year, they revamped their lineup considerably, and this model went away. Also, the stylized 'B' headstock logo (which I find very attractive) went away as well. Seeing this listed in a shop so close to me, I just had to check it out. Turns out it's a fingerpicking winner, so I worked out a trade & brought it home. In this example, the myrtlewood back & sides produce a tone that seems to reside somewhere in between maple & mahogany. Notes bark out like maple, but have a longer mahogany-like resonance. Fingerboard, bridge, & headstock overlay are ebony, the neck is maple, and herringbone trim surrounds the rosette & top binding. The solid spruce top has a gloss finish, while the solid myrtlewood back & sides have a rather shiny satin finish. Having never played a myrtlewood instrument before, gotta now say they’re worth a look!
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