Anyone out there play an 11-string?

Neal

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In a recent post, I talked about the joys of owning a 12-string again. A big, beautiful, blonde Guild jumbo 12-string, to be precise.

I play with a heavy hand and a fat (2.0 to 3.0) pick, and have broken three of the upper-octave G strings in the process of getting to know this guitar. Two were on sets of 10-47's, and the latest a beefier set of 12-52's.

Being lazy and cheap, I decided to give the guitar a try without that G string. And I like it a lot. It loses a little of the zing on the upper trebles, which I think tones down a bit of brightness in the guitar generally, and gives that big bottom end more room to come through.

Has anyone else ditched the skinny G?
 

awagner

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The "skinny G" is the most important string on a 12-string, in my view. It's what gives the 12-string its distinctive sound, more than the other doubled octave strings.
 

crank

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Check ou Rob Butler, Australian guitarist. He plays with 11.
 

chazmo

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I've heard of folks playing it a 9-string, and I think Keith Richards actually had a custom 10-string, Neal. Never heard of anyone just removing string 6 (G), but I have definitely played that way since the G-string is almost always the string that breaks on me when it happens.
 

Nuuska

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I have played my F212CE 10-string - because while playing amplified, the D- & G-octave strings were just way too loud for my fingerstyle playing. My F512 has different soundholehumbucker - but unfortunately it does not fit between the top & strings.

Acoustically F212CE sounds just fine w 12 strings.
 

Heath

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I’ve played with 10, eliminating one of the octaves on the E & B, making it easier to play melody lines (thanks Wileypickett!) and I’ve heard Kottke plays 12, but prefers to make the G a (edit) unison pair. Maybe that would be up your alley?
 
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I agree that the octave G is what makes a 12 string. In fact Martin made made a Roger McGuinn 7 string model. It was a D-28 with an added octave G.

I knew a guy who played finger style with a thumb pick. He found the octave low E and A strings to be too much with a thumb pick so he played a "10 String".
 

chazmo

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I’ve played with 10, eliminating one of the octaves on the E & B, making it easier to play melody lines (thanks Wileypickett!) and I’ve heard Kottke plays 12, but prefers to make the G an octave pair as well. Maybe that would be up your alley?
Heath, I'm confusedI? The G course (strings 5 and 6) are octaves already.
 

Heath

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Heath, I'm confusedI? The G course (strings 5 and 6) are octaves already.
You’re right. I meant unison pair. So the top three would be unisons, bottom three pairs octaves. Sorry, I’m very tired today!
 

Brad Little

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Like Heath, at one time (OMG 50 years ago!) I played with only singles on the 'e' and 'b' strings for clarity in single line leads. Been using all 12 since. FWIW, Leadbelly used a unison for the 'G' string and a double octave on the low 'E.'. He also tuned way down, sometimes down to 'C' or thereabouts.
 

wileypickett

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Like Heath, at one time (OMG 50 years ago!) I played with only singles on the 'e' and 'b' strings for clarity in single line leads. Been using all 12 since. FWIW, Leadbelly used a unison for the 'G' string and a double octave on the low 'E.'. He also tuned way down, sometimes down to 'C' or thereabouts.

What you used to do, I still do. All my 12-strings are 10-strings (singles on the high E and B strings). I take one of the leftover high E strings and replace the octave G string with that. It's a thicker gauge and rarely breaks.

I also tune the low E down to A, B, or C, depending on what open tuning I'm using.
 
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davismanLV

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Wow, I can't remember the last time I broke a string. Must be 25 years or more. Of course, now that I've said that.... :rolleyes:

And Don is selling his Martin 12-string so it's gotta have new strings. I've never done a 12-string. My nerves have a default setting of 6 strings, so get the tranquilizer gun ready. By 12 I should be a basket case!! :eek:
 

Bernie

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Taylor has a couple guitars with 8 and 9 strings (I believe it's 8 & 9). I think the D and G are always doubled, can't remember if it's A or B on the 9 strings. They are doing well with these and quite a few guys use them...Some interesting ideas in this thread.
 

twocorgis

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Wow, I can't remember the last time I broke a string. Must be 25 years or more. Of course, now that I've said that.... :rolleyes:

And Don is selling his Martin 12-string so it's gotta have new strings. I've never done a 12-string. My nerves have a default setting of 6 strings, so get the tranquilizer gun ready. By 12 I should be a basket case!! :eek:
Using Taylor's method and a power winder (which I know you have), it's really not that bad Tom, unless it's a slothead! scroll down a bit for 12er instructions.

As for me? I keep some extra 9s around for when the octave G inevitably breaks. Something like 89 cents per, not too bad.
 

merlin6666

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The "skinny G" is the most important string on a 12-string, in my view. It's what gives the 12-string its distinctive sound, more than the other doubled octave strings.
Indeed. I love playing solos just up and down on the octaved G strings. Check out the Martin HD7 Mcguinn signature that just has the octave G as a 7-string.
 
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crank

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I remember reading John Butler, not Rob as I erroneously referred to him in my last post, Anyway, he took the high octave string off the G because it sounded to "chimey" playing leads. I kind of agree with him depending on what I'm playing. Definitely too happy sounding for blues IMO.

I've read that the high G breaks on a lot of 12 string guitars. Never broke any string on my 412 in 9 years of playing it.
 

Tom O

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Spider John Koerner played a 7 string with an octive? G. Maybe you should try a different brand of strings. I have three twelves and rarely break the G octive.
 
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