mad dog said:
Q: How does the S90 compare to your later S100? Do you miss the phase switch?
BTW: It was because of lust for these Guilds that I searched out Dearmond's version, the S73. And as so often happens with experiments such as this, I'll probably end up owning a Guild like one of yours someday anyway.
MD
I don't particularly miss the phase switch. It does more with certain pickup settings than others so it isn't always useful. And since I tend to tune down a whole step and play straight ahead low end distortion, I don't have a whole lot of use for it. Actually, my whole set up is counter to this -- I can get a lot more low end out of other guitars/pickups, and the Marshall JCM 900 is more geared towards mids and treble (without mods). But I got it years ago when I was in a punk band and it worked great. I played an old beat up Washburn with an EMG 81 in it. I recently gave away that guitar to a needy person. Don't miss the Floyd Rose!
As for the differences: they both play great. I love the feel, design, and balance of each. Both are easy to play and hang easy on a strap. As for the sounds: The S-90 is a little wimpy compared to the S-100, but they're both great through the Marshall/Peavy cab. The S-90 is easier to get a vintage sound out of (a la Sabbath) and the S-100 (Seymour Duncans) can put out a kick ass punk/crunch sound (check out Rancid's "...And Out Come the Wolves").
The sounds I go for are along the lines of Clutch, Kyuss, Fu Manchu. Both work well for that.
It's hard to say. Hell, I even like some of the sounds I get out of that MIM Strat with three single coil Tex Mex pickups. It does a good Weezer sound.
Ugh, I see more guitars (and less money) in my future.