laverda said:I'm on it... fingers crossed
Will hopefully make a great companion for my soon to arrive '95 Bluesbird Goldtop 8)
coastie99 said:laverda said:I'm on it... fingers crossed
Will hopefully make a great companion for my soon to arrive '95 Bluesbird Goldtop 8)
You're gonna have to take out a mortgage to get that thing freighted to OZ !
laverda said:coastie99 said:laverda said:I'm on it... fingers crossed
Will hopefully make a great companion for my soon to arrive '95 Bluesbird Goldtop 8)
You're gonna have to take out a mortgage to get that thing freighted to OZ !
They have it listed at $130 for freight to down under which is pretty reasonable as far as I'm concerned but then I do get a lot of rare motorcycle parts freighted down here from all over the world so maybe I'm just desensitised to the pain... :lol:
Ravon said:A Bluesbird Goldtop?! I'll believe it when I see it :wink:
coastie99 said:More than reasonable ....... that's amazing !! :shock:
F30 said:
gilded said:F30 said:
F30, do you want to know how cool that amp is?? I own one and I'll tell you exactly how cool it is! This is a little story I wrote about this amp, back in 2009, to the guy who taught me how to play when the world was young:
"Dear [Teacher],
I realized I'd forgotten to pull my fave Vibrolux amp out from behind the two Leslie cabs, so I grabbed the first amp I could literally reach. This was an amp I just had refurbished, a mid '60's Guild Thunderbird amp (think sick, greasy beige tolex on the top and bottom, cheesey Walnut-fascia panelling on the sides, aluminum-edging separating fascia/tolex, plus a two-tone grille cloth, 30 watts of power, 1 12" speaker + 1 '8" speaker for the reverb information, and 7591 power tubes).
I literally hadn't played it for a year (before the rebuild), but it was the closest amp I could grab and I was in a hurry to start. I plugged it into a wall-socket, pulled the nearest guitar out (a Mexican tele with 2 cheap pac-rim fender strat pickups in the neck and middle, with .09 strings, no less!) and started playing without a pick (which I never do) just to get a sound going.
How'd it sound, you wonder? It sounded like this:
You've flown into Vegas on a 707. You're booked into the Desert Inn. You play craps for a while, you're up a few hundred. You go back to your room. It's late, but you want to go back out, so you put on another dress shirt, a pair of slacks. You get out your tassled loafers, because they slide just right on the carpet downstairs. You put on your Phillipe Patek watch. You grab your Gold Ronson lighter, your Winstons.
Downstairs, the big rooms are closed. You walk around till you hear music coming out of one of the small lounges. The sign says, 'Monk Montgomery Trio'. You go inside and sit near the band.
Guitar, bass and drums are playing. The Bass player's really good, plays a lot of notes; you wonder if he's the leader. The Drummer's playing with brushes and light sticks. The Guitar player has a Jazz box plugged into an amp with a funny two-tone grille cloth. The Bassist plays a line of notes, then stops, though the drummer keeps going, keeping the energy up. Laughing, the Guitar man plays the same notes back. The two musicians go back and forth like this for a while. You weren't expecting this, but it sounds good.
Your eyes are used to the room, now. You look around and see Dean Martin with a manager-type guy sitting close by. Deano lights a cigarette. He has the same Gold Ronson that you do. The waiter comes over. You order another drink and settle in to hear the rest of the set.
That's what that amps sounds like, [Teacher], just like that. It was so good, I played without a pick all night."
gilded said:F30 said:
F30, do you want to know how cool that amp is?? I own one and I'll tell you exactly how cool it is! This is a little story I wrote about this amp, back in 2009, to the guy who taught me how to play when the world was young:
"Dear [Teacher],
I realized I'd forgotten to pull my fave Vibrolux amp out from behind the two Leslie cabs, so I grabbed the first amp I could literally reach. This was an amp I just had refurbished, a mid '60's Guild Thunderbird amp (think sick, greasy beige tolex on the top and bottom, cheesey Walnut-fascia panelling on the sides, aluminum-edging separating fascia/tolex, plus a two-tone grille cloth, 30 watts of power, 1 12" speaker + 1 '8" speaker for the reverb information, and 7591 power tubes).
I literally hadn't played it for a year (before the rebuild), but it was the closest amp I could grab and I was in a hurry to start. I plugged it into a wall-socket, pulled the nearest guitar out (a Mexican tele with 2 cheap pac-rim fender strat pickups in the neck and middle, with .09 strings, no less!) and started playing without a pick (which I never do) just to get a sound going.
How'd it sound, you wonder? It sounded like this:
You've flown into Vegas on a 707. You're booked into the Desert Inn. You play craps for a while, you're up a few hundred. You go back to your room. It's late, but you want to go back out, so you put on another dress shirt, a pair of slacks. You get out your tassled loafers, because they slide just right on the carpet downstairs. You put on your Phillipe Patek watch. You grab your Gold Ronson lighter, your Winstons.
Downstairs, the big rooms are closed. You walk around till you hear music coming out of one of the small lounges. The sign says, 'Monk Montgomery Trio'. You go inside and sit near the band.
Guitar, bass and drums are playing. The Bass player's really good, plays a lot of notes; you wonder if he's the leader. The Drummer's playing with brushes and light sticks. The Guitar player has a Jazz box plugged into an amp with a funny two-tone grille cloth. The Bassist plays a line of notes, then stops, though the drummer keeps going, keeping the energy up. Laughing, the Guitar man plays the same notes back. The two musicians go back and forth like this for a while. You weren't expecting this, but it sounds good.
Your eyes are used to the room, now. You look around and see Dean Martin with a manager-type guy sitting close by. Deano lights a cigarette. He has the same Gold Ronson that you do. The waiter comes over. You order another drink and settle in to hear the rest of the set.
That's what that amps sounds like, [Teacher], just like that. It was so good, I played without a pick all night."
So very, very true. The particle board cabs are wicked fragile, F30. They absorb moisture from the air and become powdery. I won't even take mine out to a gig, it just sits in the rehearsal studio. In fact, I've been thinking about having a cab built so I could take the amp to gigs!Default said:One thing to keep in mind, those amps are made with particle board. Be sure that they pack it well.