Recording with small-body Guilds.

shepke

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Hey all. This is a follow up to the discussion about Westerly F-112s. I thought I’d start a new topic so as not to distract from the discussion of Guild small body 12 strings. I was rooting around for some recordings to illustrate the sound of small-bodied Guilds. I couldn’t find anything right away using the F-112, but here are a few things recorded with my 1968 F-30. Microphone placement is largely as I described in the earlier Westerly F-112 posts.

You’ll hear some finger noise and even some fret buzz from the mic placement near the neck. But combined with the smaller F-30, the result is reasonably clear, bright and pretty much free of boom. I think it’s best to record this way because if the end product is a tad too bright you can always roll off some high end when it’s done. Adding eq to the high end to brighten things up introduces a lot of noise and phasing problems really quick. Rolling off high end will also increase the relative bass response. But all this should be done when you master. These are fairly raw tracks sonically, and would need mastering to smooth things out better.

Note that on "G String" the solo was recorded with a Baby Taylor - speaking of small-body guitars.

If I find anything useful recorded with the F-112, I’ll post it.

http://www.soundclick.com/bands/default ... tent=music.
 

fungus kahn

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killdeer43 said:
Shepke,

All the tracks sound pretty sweet from here. Love that inimitable bluegrass guitar sound. Keep it up! :D

Joe

+1 :D nice guitar and music.
Rob
 

gilded

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Thanks Marc,

I enjoyed it muchly. The high melody line solo in Leaves I was too soft, volume-wise, for what's left of my ears, but gosh, I love what you are doing. The lower line just sounds great, with major tone to the notes. You know how (sometimes) you want to hear tone, but all you hear is a string thudding along at a certain pitch? It ain't like that! Leaves II is just wonderful, too.

I have to go over to the studio, so I've given your song 'G String' short-shrift, but I'll get back to it later.

Harry

What kind of preamp are you playing into??
 

shepke

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Thanks for all the encouraging feedback. The preamps were Art Studio Tube MPs. These are inexpensive and although lot of people hate them (kinda noisy), in some applications, used sparingly, they can add considerable depth to the sound without breaking the bank.
To catch the full discussion, go to the topic "My Hobokan & Westery F-112s" from a few days ago, where "littlesongs" made a really interesting comment about small bodied Guild F-112s in studio settings, and "Gardman" also posted some nice tracks recorded with a variety of guild dreadnaughts.
Thanks again for the comments.
 

gilded

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Marc,

I saw the other thread and I appreciate the mic tips. I'm going to try using two mics as soon as I get settled down from Arlington.

Thanks again, Harry
 
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