Picked up a T-100, Need Help!

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I really want to clean this beauty up, removing the spray paint and crappy filling jobs done over the years, but some PO didn’t cover the F Holes when they sprayed it and the data tag is hard to read.

Can someone help me with the serial? The model is obviously T-100, but I can’t tell what the second digit of the serial is (7_67)

I really want to do it justice cleaning it up and getting it playing again, it’s physically in great shape!

5E330C37-A59D-4A4B-8B37-08224C5C4A24.jpegThanks!
 

lungimsam

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That’s some sloppy handwriting on that SN. But I can see the 5 now.
 
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Thanks guys! I’d love to do a tracking build thread but I don’t have the patience. Plus after months of research on guitar forums and luthier threads, I don’t know that I want my decisions torn to shreds by traditionalists who would rather see a complete correct restoration, rather than simply saving this beauty from the scrap yard. I’ll give some narrative though

Using a gentle orange stripper sparingly, no sandpaper, only thin card scrapers to avoid removing wood, and TONS of patience, I was able to get the spray paint off, but not without removing the original lacquer. I’m a little bummed about that, because one spot removal begets another, avalanching into stripping the entire instrument, NOT what I wanted to do.

Silver lining: I never would’ve seen the beginning hairline cracks on the head (especially around each peg hole) or neck, or the delaminating sections on the back.

So I’ve very carefully stopdrilled each crack, dried it naturally in low humidity and never over 85*F, and gently filled each crack with gorilla glue. I researched and researched and finally decided on gorilla over hide or wood glue, because I’d like the additional spot drying the curing glue affords on the old wood. I understand there’s a small amount of expansion with curing that type of glue, I am keeping a VERY close eye on further crack propagation

I got a small tuning hammer and gently tapped out the top and bottom, listening for the telltale thud of a delamination, marked each, made a small relief cut at each edge, and injected wood glue, pressing gently until cured with homemade tension clamps. Further tapping has helped me believe I got all the delams taken care of.

Another thing I wasn’t expecting was that the top was painted and never intended for the grain to be displayed, so Guild spliced a section under the bridge to the lower F Hole. I REALLY wanted to avoid repainting, and just stain and seal to let the 65 year old wood show its beauty. I’m gonna have to think on this one for a bit.

When I bought it, all the pickups, knobs, and wires had been unceremoniously removed, and I’m toying with the idea of properly plugging the holes and blending, keeping it as a slim acoustic only hollow body.

I’ll update as I go 😊
 

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Shakeylee

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OMG!!
That guitar is absolutely perfect, just how it is.
I love it!!

If it were me, I would see if a GFS surface mount pickup , or , a P90 in a reproduction franz cover , covers the pickup cavity.

That and $6 worth of pots and a jack , and you could gig with that beautiful T-100.

I do all my electric gigs with a single pickup T-100
 

mushroom

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Oh man that’s such a cool colour on that. I’d be tempted to leave it but hey, it’s yours - you do what you want with it.
 

Walter Broes

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You're a patient man! I think I see some good news too : if the guitar plays adjusted like this, it looks like there's enough bridge height to add a second pickup.

I'd refinish it. A nitro spray can refin really isn't that hard, it just takes a little time and a lot of patience. The prep is most of it.

Worth checking Ebay for repro or NOS headstock overlays.
 
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