I don't want to be discouraging, but I think the only way to get there would be a meticulous custom job or an old Franz. The '63 sisters are two almost identical guitars equipped with a P90 and a Franz. My experience is limited to a specific style, canon of songs and setup, but the two pickups are not really very similar to my ears. I think the P90 and the Franz act more like distant cousins than close siblings. They share tonal characteristics with that branch of the single coil family, but the parallels seem to be based more on the way they look rather than the way they sound.
The T100 with the custom handmade P90 has medium roundwounds. Plugged into the Sano it is an old familiar friend who has a pragmatic outlook on life. The lows, mids and highs have plenty to say and they keep the conversation civil. No unpredictable fits of laughter in the tremolo. No inexplicable crying jags through the reverb. The sound is always warm and inviting like the smell of a wood stove, cornbread or apple pie on a crisp autumn night. The P90 is strong, well-mannered and balanced, but it can hold it's own in any situation. It is a thoroughly enjoyable sound and always good company.
The T100 with the original Franz has medium flatwounds. Plugged into the Sano it is a time machine. There are deep baritone lows that can sneak up like warm ocean waves spilling through the tremolo and reverb. Highs show a hint of teeth like a card player gathering his winnings. There is always a packed house full of happy mids who are all glad to be there and never pick a fight. This pickup is very sensitive to picking dynamics and seems to enjoy being mischievous, but nothing sounds like it. The Franz is a seductive and dangerous character drawn from smoky clubs, detective novels and film noir.
There are probably far more prosaic and concrete technical explanations for all of it. but I love them both for entirely different reasons.