NS X-175 Manhattan Special Blonde

X-170AB

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I thought you might like to see a few photos and hear a few thoughts about the blonde/natural version of the NS Manhattan Special that was mentioned in GAD's thread. Thanks to SFIV1967 mentioning (and showing) it, I was able to pick up one of the few of these that made it to Europe. I'm really liking the guitar and have been playing it a lot since I received it: its light, the neck is comfortable, and everything about it feels well put together.

So without further ado, here are a few photos of the X-175:

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GGJaguar

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Wow, that's fantastic! The back is so well book-matched that it looks like it's one piece. Super nice, congrats!
 

shihan

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That’s really a beauty! The blonde finish is my favorite, and the white PU tops really set it off.
As someone who also recently acquired a NS X-175, I know you’re digging it. A lot of guitar for the price.
Enjoy it in great health!
 

Walter Broes

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Great looking guitar!!

Anybody else notice Guild's switched from ABR-1 style tune-a-matics to the larger Nashville type tune-a-matics on the Newark Street guitars? (or am I the only true guitar geek on here?)
 

chazmo

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Gosh that's sweet. I wonder if the originals had bound headstocks like that. Certainly works nicely with the bound fretboard/neck, and F-holes.

Walter what would we do without you? :)
 

kakerlak

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Great looking guitar!!

Anybody else notice Guild's switched from ABR-1 style tune-a-matics to the larger Nashville type tune-a-matics on the Newark Street guitars? (or am I the only true guitar geek on here?)
And, yet, they're still mounting them screws-forward.
 

dhdfoster

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Beautiful. Have they changed the tint on the blonde finish? I had as early NS from 2013, and the blonde finish was a bit goofy looking. This one looks much better.
 

SFIV1967

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Anybody else notice Guild's switched from ABR-1 style tune-a-matics to the larger Nashville type tune-a-matics on the Newark Street guitars?
Walter, can you maybe take two pictures from guitars in your shop showing the "old" vs. "new" style bridge? Are they mounted differently in the wooden base? Also I've never seen a picture of the two "nails" how the wooden base is fixed to the top, so mybe if you have a chance to remove one and take pictures.

And, yet, they're still mounting them screws-forward.
I was always wondering but Gibson is doing it the same way.
Ralf
 
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kakerlak

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Walter, can you maybe take two pictures from guitars in your shop showing the "old" vs. "new" style bridge? Are they mounted differently in the wooden base? Also I've never seen a picture of the two "nails" how the wooden base is fixed to the top, so mybe if you have a chance to remove one and take pictures.

I was always wondering but Gibson is doing it the same way.
Ralf
Screws forward is "normal" for ABRs, backwards for Nashvilles. Functionally makes no material difference
 

Walter Broes

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Walter, can you maybe take two pictures from guitars in your shop showing the "old" vs. "new" style bridge? Are they mounted differently in the wooden base? Also I've never seen a picture of the two "nails" how the wooden base is fixed to the top, so mybe if you have a chance to remove one and take pictures.

I was always wondering but Gibson is doing it the same way.
Ralf
We don't have any of the older ones in the shop, so no, I can't. I'm not sure what you mean by "are they mounted differently in the base"...?

By the way, with an ABR-1 type bridge, it makes perfect sense to mount it screws forward : if you don't, depending on the guitar's neck angle/bridge height/tailpiece, the strings might contact the saddle screw heads behind the bridge, resulting in all kinds of buzzes and noise and unwanted resonance.
 

SFIV1967

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I'm not sure what you mean by "are they mounted differently in the base"...?
On vintage Starfire IV for instance the wooden bridge base has a threaded stud screwed in it and that stud is fixed and does not turn and the thumbwheel is screwed on and the metal bridge sits loose on top. I was just wondering if that is differently for the new Nashville style bridge you mentioned.

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Ralf
 

X-170AB

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Thanks all for your comments and observations! So far I'm very impressed with the Manhattan Special. Its not a vintage guitar, and in some ways I'd say its like an 'idealized' version of an X-175. But it feels great to play, the 'box' while not loud is quite acoustically resonant, and the overall impression is very high-quality.

I've owned a few X-500s and X-700s (but never an X-175) of the more modern 'wider' body style, but have always admired the more 'svelte' early style, which IMO really shows the Epiphone heritage of early Guild archtops. Like those earlier models, this one is light and resonant, with a full but comfortable neck. And of course it has the distinctive DeArmond 'replica' pickups, the original DeArmonds being one of my all-time favourite electric guitar sounds.

The new Guild 'replica' DeArmonds are perhaps the one thing about the Manhattan Special I'm a bit disappointed about. They do sound suggestive of the originals, with a lot of the unique frequency contour, and could be used in all the ways you'd expect (rockabilly, jump blues, etc.). Only if you can directly compare to the originals is it clear that the 'replicas' lack something of their sparkle and presence. The one thing I plan to do is install a pair of T-Armonds (luckily a local distributor here has a few pair).
 

guitarlover

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@ X 170 AB : Are the pickups really "lacking" or is the position of the bridge pickup also part of the "problem" ?
 
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