fronobulax said:
... I find the lack of science (in the sense of repeatable measurements) dooms the discussion to the realm of opinion. I suspect if we wanted to bring research to bear we should probably start with the investigations that ask "what makes a Stradivarius (as opposed to a Stratocaster) sound the way it does? and can we replicate that sound in instruments and finishes from today?"
Hi Frono; Referring only to resonance and dismissing breathing (although all members should continue to do so), it would be possible to take laboratory measurements of guitars tops ... tops only; with nitro and with something/anything else. Comparative vibration properties could be measured and conclusions drawn; a top with finish X cycles less frequently while a top with finish Y cycles more quickly ... and then there's the rest of it; in response to bass notes ... in response to treble ... in response to chords.
It isn't clear given the rest of the variables;
the wood species,
age,
the stage of the moon at time of harvest (and whether a clergyman was present),
average thickness,
bracing materials and layout,
moisture content, and
the degree of top crown and the tension that it's under,
That the finish on the top as it's attached to the guitar is the only meaningful variable that could reasonably be expected to influence resonance and, by extension, tone. I'm not sure there's any way to know what role finish alone plays in resonance. If it (apparently) isn't possible to produce identical guitars - both with the same finish - with identical tone, I don't know how it's possible to compare two identical guitars with mis-matched finishes.