NGD and I am out of town!

Neal

Senior Member
Joined
Nov 11, 2013
Messages
4,869
Reaction score
1,670
Location
Charlottesville, VA
It will be late Saturday before I can get my hands on this beauty, a 1936 X-braced Gibson L-7. My wife was kind enough to open the box and send me some photos.

I have been wanting one of these for a very long time. The only thing missing from this one is the pickguard, probably a crumbling mess by now.

(Moderators, if this is posted in the wrong forum, please move it to a more appropriate place.)

IMG_0702.jpeg
IMG_0703.jpeg
IMG_0704.jpeg
IMG_0705.jpeg
IMG_0701.jpeg
 

walrus

Reverential Member
Gold Supporting
Joined
Dec 23, 2006
Messages
24,026
Reaction score
8,114
Location
Massachusetts
That looks to be well worth the wait! Congratulations!

walrus
 

Westerly Wood

Venerated Member
Joined
Mar 21, 2007
Messages
13,426
Reaction score
6,626
Guild Total
2
Love it. I bet it sounds incredible. 1936, wow, those were the days.
 

Neal

Senior Member
Joined
Nov 11, 2013
Messages
4,869
Reaction score
1,670
Location
Charlottesville, VA
Love it. I bet it sounds incredible. 1936, wow, those were the days.
Thanks, Woody. They were only made with X-bracing from 1935 to 1939, and only with a short-scale (24.75”) and 19 frets from ‘35 to ‘37. So, this is a pretty rare combination. Gibson went back to parallel bracing on all four of their 17” carved archtops in 1939 (L-5, L-7, L-10 and L-12).

I have been looking for the right one for the better part of the last decade, but for one reason or another never pulled the trigger until this week.

This one checks all the boxes for me, and the original case is the icing on top.
 

Neal

Senior Member
Joined
Nov 11, 2013
Messages
4,869
Reaction score
1,670
Location
Charlottesville, VA
One additional observation. This guitar would have sold for $125 in 1936, plus another $20 for the redline case.

That was a LOT of money during the Depression, the equivalent of over $3000 in todays dollars.

The L-5 went for an astounding $275, or nearly $7000 in today’s money. It was $100 more expensive than Martin’s most expensive guitar, the D-45.

By comparison, my flattop 1934 L-00 sold for under $30. That shows how expensive hand carving was (and still is!), compared
to making a nice-sounding flattop.

In the never-ending battle between Gibson and Epiphone for archtop supremacy, Gibson offered the Super 400, an 18” carved arch top so named because it cost $400 in 1937!
 

Westerly Wood

Venerated Member
Joined
Mar 21, 2007
Messages
13,426
Reaction score
6,626
Guild Total
2
Thanks, Woody. They were only made with X-bracing from 1935 to 1939, and only with a short-scale (24.75”) and 19 frets from ‘35 to ‘37. So, this is a pretty rare combination. Gibson went back to parallel bracing on all four of their 17” carved archtops in 1939 (L-5, L-7, L-10 and L-12).

I have been looking for the right one for the better part of the last decade, but for one reason or another never pulled the trigger until this week.

This one checks all the boxes for me, and the original case is the icing on top.
This would be an archtop I could totally dig. Short scale too. I love the wood grain of that top in the pics. I would NOT bother with a pickguard, but I get it if you want to restore it to "original" specs.
 

Neal

Senior Member
Joined
Nov 11, 2013
Messages
4,869
Reaction score
1,670
Location
Charlottesville, VA
The original pickguards were prone to gassing off and crumbling to dust.

A nice repro would set me back $110. But I would know it was non-original every time I picked it up.

So, yes, I totally agree. It will remain naked.
 

D30Man

Senior Member
Joined
Apr 30, 2015
Messages
2,949
Reaction score
998
Location
Rockwall, TX
Guild Total
5
Wow that is a super cool looking L7! That headstock is superb.
I hope it sounds amazing. I bet it well atop that old rosewood bridge with a fresh coat of oil.
I'm excited for you! I know what its like to be out of town when a guitar arrives!! That happened recently with my new SFII and several time before!
 

D30Man

Senior Member
Joined
Apr 30, 2015
Messages
2,949
Reaction score
998
Location
Rockwall, TX
Guild Total
5
The original pickguards were prone to gassing off and crumbling to dust.

A nice repro would set me back $110. But I would know it was non-original every time I picked it up.

So, yes, I totally agree. It will remain naked.
I'm with you.
 

Neal

Senior Member
Joined
Nov 11, 2013
Messages
4,869
Reaction score
1,670
Location
Charlottesville, VA
Wow that is a super cool looking L7! That headstock is superb.
I hope it sounds amazing. I bet it well atop that old rosewood bridge with a fresh coat of oil.
I'm excited for you! I know what its like to be out of town when a guitar arrives!! That happened recently with my new SFII and several time before!
The guitar came from Arizona, so it will need some time in the Virginia humidity and some attention to the rosewood fretboard and bridge. What would be the best product to oil them with?
 

Maguchi

Member
Joined
Dec 22, 2022
Messages
179
Reaction score
300
Guild Total
1
Wow, awesome! Congrats and enjoy. Looks to be in good shape.
 

bobouz

Senior Member
Joined
Jan 29, 2015
Messages
2,267
Reaction score
1,872
The guitar came from Arizona, so it will need some time in the Virginia humidity and some attention to the rosewood fretboard and bridge. What would be the best product to oil them with?
Neal, I've seemingly tried them all & would highly recommend Fret Doctor, which is bore oil - results have been superior to anything else. As for your new guitar, it is a flat out beauty! In the '70s, I purchased a 1930s Ward at a flea market that turned out to be made by Gibson - solid carved spruce & X-braced, so most likely from the same window of production. It had a tone I absolutely loved, but eventually I sold it because the V-neck was just too large for me (Gibson didn't put truss rods in guitars contracted out - such as Ward, Recording King, Cromwell, etc). Regardless, that unique tone stuck in my head & for decades I missed it terribly. When Guild released the X-braced & solid spruce pressed-top A-150B in the first wave of the Newark St series, I ordered one, hoping to fill the hole left long ago by the Ward guitar (not the same of course, but tonally satisfying & excellent playability). My guess is that you will be very pleasantly rewarded when your Gibson is strung up & ready to go. Many congrats on a very special find!
Edit: Found an old Polaroid of the 30s Ward archtop, alongside a ‘50s Gibson LG2-3/4, and my first Guild, a ‘70s D-40. Geez, I now regret letting all three of them go!
IMG_1296.jpeg
 
Last edited:

davismanLV

Venerated Member
Joined
Mar 24, 2011
Messages
19,364
Reaction score
12,184
Location
U.S.A. : Nevada : Las Vegas
Guild Total
2
The guitar came from Arizona, so it will need some time in the Virginia humidity and some attention to the rosewood fretboard and bridge. What would be the best product to oil them with?
Another vote for Bore Oil here. It's all I use. I buy it just plain from music supply stores. No color, no scent, no additives, just good oil. It works really well.
 

D30Man

Senior Member
Joined
Apr 30, 2015
Messages
2,949
Reaction score
998
Location
Rockwall, TX
Guild Total
5
I've used mineral oil and bore oil. Like them both. Mineral oil can be found at the grocery store pretty easily. Works well for me.
 
Top