Guilds in black?

MCharles

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Anyone happen to know which Westerly-era Guild dreds were available with black gloss tops? The only one I know of is the D-25 from around '80 to '90.

Thanks!

Mike
 

hansmoust

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MCharles said:
Anyone happen to know which Westerly-era Guild dreds were available with black gloss tops? The only one I know of is the D-25 from around '80 to '90.

Thanks!

Mike

Hello Mike,

If you're talking about availability as a 'standard' guitar, then the D-25, the GF-25 and the D-212 were available in 'black' during the '80s. However, 'Black' had always been available as a 'Custom' colour on any Guild guitar, going back to the '60s.

Sincerely,

Hans Moust
http://www.guitarsgalore.nl
 

frettedstrings

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What species of wood are used to make Guild Guitars in Black? I think I saw one that was maple and assume that meant back and sides. How does the black finish effect the sound? What other species have been used?
 

MCharles

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hansmoust said:
MCharles said:
Anyone happen to know which Westerly-era Guild dreds were available with black gloss tops? The only one I know of is the D-25 from around '80 to '90.

Thanks!

Mike

Hello Mike,

If you're talking about availability as a 'standard' guitar, then the D-25, the GF-25 and the D-212 were available in 'black' during the '80s. However, 'Black' had always been available as a 'Custom' colour on any Guild guitar, going back to the '60s.

Sincerely,

Hans Moust
http://www.guitarsgalore.nl

Thanks, Hans. Actually, the D-15 should be in that standards list as well, right?

Also, would you know if any of these black models (early '80s/large headstock) came standard with Grover Rotomatic tuners?
 

MCharles

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frettedstrings said:
What species of wood are used to make Guild Guitars in Black? I think I saw one that was maple and assume that meant back and sides. How does the back finish effect the sound? What other species have been used?

Far as I know, the black color wouldn't influence wood selection. On a D-25, for example, the top should still be mahogany or spruce and back/sides mahogany. Maybe some arch-backs were maple? I always thought my '74 D-25 had a maple back.
 

MCharles

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BTW, I do think painted tops affect sound somewhat, but that may have more to do with brand. I'm thinking Gibson, mainly; for example, any J-50 that I've played (nat. top) has always sounded more open, clear and bright than a typical J-45, which always seem to have a more mellow tone. I can only attribute that to the J-45's sunburst having a slight damping effect on the top (in a good way). Not sure if the same holds true for painted Guilds, though.
 

hansmoust

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MCharles said:
Actually, the D-15 should be in that standards list as well, right?

Hello Mcharles,

Well, just about! During the first years the D-15 had a 'satin' finish; would have looked pretty ugly in black.
The D-16 and D-17 both had a 'gloss' finish. By 1987 the D-15 did get a 'gloss' finish as well and in 1989 'Black' was officially added as a standard finish. It is very well possible that a few were done earlier than that!

Also, would you know if any of these black models (early '80s/large headstock) came standard with Grover Rotomatic tuners?

Grover RotoMatics were re-introduced during the first half of the '80s and consequently the combination of a Black finish, large headstock and Grover RotoMatics would have been possible. Probably not on a D-15 because it had the smaller 'tapered' headstock by 1987.

Sincerely,

Hans Moust
http://www.guitarsgalores.nl
 

jte

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My speculation, based on the experience being a dealer and selling quite a few D-25s, is that the black ones had better wood for the tops. Because the grain was hidden, they didn't have to match it, so higher-grade spruce with mis-matched grain could be used for a black D-25. Every black one we had just sounded better to me and to the owner of the store.

Don't know if that's fact, because so much of this is subjective, but that's what we always thought. Of course, now that it's on the internet, it MUST be true! :lol:
 

adorshki

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jte said:
My speculation, based on the experience being a dealer and selling quite a few D-25s, is that the black ones had better wood for the tops. Because the grain was hidden, they didn't have to match it, so higher-grade spruce with mis-matched grain could be used for a black D-25. Every black one we had just sounded better to me and to the owner of the store.
Don't know if that's fact, because so much of this is subjective, but that's what we always thought. Of course, now that it's on the internet, it MUST be true! :lol:
Actually one of the members here who worked in Westerly workers, I think it was "Workedinwesterly" made a famous comment here, something like "Guild didn't make black guitars, black guitars happened". He was humorously pointing out that black was usually applied to guitars with blemishes. It doesn't really contradict your theory, 'cause he didn't say anything about whether or not they might have done it as a way to use up higher grades of wood as you suspect.
 
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