I still kind of want a black one, but I'm too cheap when it comes to more "recent" guitars. (yes, I guess I'm showing my age when I call the X160 recent...haha)
"Although Fender had owned Guild since 1995, the 2000 catalog is the first one where Guild was combined into the Fender Frontline catalog, and the text there mentions that the recipe for rockabilly is to take a Guild X500T or X160 and plug it into a Fender reverb tank and then into a Fender Bassman. I certainly can’t argue with that formula, though I think that’s more of a surf thing than a rockabilly thing, but I guess Fender hadn’t bought Roland so they couldn’t throw in a Space Echo mention. Remember that the Brian Setzer Orchestra was huge around this time and he played (and still plays) through a ’63 Bassman, so that’s probably what Fender was trying to capitalize on."
Guild wasn't capitalizing on Setzer's piggyback blond tolex bassman - Dave Gonzalez of the Paladins was Guild's "Rockabilly star endorser" at that time, the X500T was built for him, even though somebody at FMIC must have screwed up and the regular humbucker X500 of that time somehow ended up with the "X500 Paladin" name, at least in some literature. Guild initially gave Dave an X160 too, but he wasn't a fan of the "new" 2000 pickups.
But to get back to the amp thing : a Fender reverb tank and a reissue 4X10 bassman (plus an echoplex, earlier on) was (and is) Dave's preferred rig, so that's most likely what that bit of catalog prose was referring to.
I'm pretty sure the X160's never came with the 2K pickups as stock equipment, the 2K's were on the DeArmond branded guitars, and they also made an appearance on a custom shop Fender set neck telecaster that was kind of inspired by a Les Paul special.
Also, I think (through Hans might correct me on this) that this was the era that the all aluminium Bigsby type archtop bridge appeared on Guilds that was compensated for a plain G string, and the X160 Rockabilly and X500T had those as factory spec. (in gold on the X500)
The 2000 pickups sound great, but lack a little "oomph" on stage in my experience, and a little beef on the bottom end. I'm willing to bet that if you like the guitar in stock configuration, you might really fall in love with it if you put a pair of original (vintage) DeArmonds, TV Jones T-Armonds or Duncan Dynos on it - they have that bright Fendery twang on top like the stock 160's pickups have, but with more beef and bottom end, and they hit an amp about as hard as a healthy P90. One way to tame the brightness on any DeArmond pickup of this type (they càn get harsh into the wrong amp) is pure nickel strings they work great with these pickups, and twang like a classic Duane Eddy record.
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