Guild X-350

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I got this big fellow back from the luthier I use all set up with new flatwounds about a week ago and I can't believe what a great guitar it seems to be. I will preface this by saying that I am not much of a guitar player. I have been around guitars for years and I have bought and sold and kept a few along the way. I bought this Guild from a guy who had owned it for a long time. He got it as payment for a debt from the original owner. It was in its original case which was pretty beat up but which seems to have protected it well over the course of its life. When I got it the bridge was installed backwards and it had way too light round-wound strings. The frets had almost no wear and the neck and the body had very little obvious play wear. There are some nicks and chips in the finish. Someone had wired a new jack which seemed to make all 3 pickups play at onece and the buttons did not work correctly.

The luthier cleaned it and turned the bridge around and wired it back up so that the buttons work the way they were intended. He plugged the hole made for the extra jack with a piece of maple and finished it in so that you have to look to find where it was.

What I can't believe is how good this old box sounds...amplified or not. Not plugged in it is loud and has a really wonderful flat-wound jazzy sound. Plugged in it goes from pure and jazzy to rockabilly. It seems to have much less of a feedback problem than the Gibson ES-350 I used to have. The neck is great for my big fingers.

Anyway, I can't find out too much about these guitars on the internet. They seem not to be too much in demand...some like them some not. Just thought someone might like to see a picture.

Guild-X-350.JPG
 

AcornHouse

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Welcome! Nice first post; pic and a great rescue story. :applouse: 'm sure you'll find plenty of info, and love, for the X-350 here, and in previous posts.

Is is this your first Guild? (Don't worry, we'll help you get more.:devilish:)
 
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Oh wow, that looks fabulous!! Great intro to LTG, welcome. More pics please!

OK, here are some iPhone snaps. The first photo I posted was taken with a real camera before the guitar was serviced. These were taken after it came back.

Guild-X-350-1.JPG


Guild-X-350-2.JPG


Guild-X-350-3.JPG


Guild-X-350-4.JPG


Guild-X-350-5.JPG
 
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Is is this your first Guild? (Don't worry, we'll help you get more.:devilish:)

It is not my only Guild. I currently own a 90s Dv-52. The Dv-52 is a wonderful sounding guitar. The neck is a little narrow for me but my son likes it a lot. I will probably give it to him this summer. He is much more of a player than I am.
 

txbumper57

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That is Gorgeous! Welcome to LTG! That is one of the finer ones I have seen. Lots of great people with tons of information here on the site. Any number of folks can help you with dating it but the one I would ask would be Hans Moust. He literally wrote the book on them. LOL. Congratulations on such a wonderful Guitar.
 

GAD

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Wow! Nice score and a great first post! Usually I see those guitars all beat to hell - that one looks great!
 

bobouz

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Absolutely beautiful!

Congrats & thanks for sharing.
 

kakerlak

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Pretty 350! Unusual in a few different respects, all of which owing to its newer (than most 350s) vintage: the maple, rather than spruce top, the ebony, rather than rosewood fretboard, and the metal, Hagstrom-made bridge (probably not too many of those in gold plate on this planet).

Again, very pretty guitar!
 

Guildadelphia

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Amazing X-350 you got there...big congrats. The closest I've ever gotten to an X-350 was a few years ago when I saw legendary Philly Rock pioneer Charlie Gracie perform. Charlie still plays the same X-350 he purchased back in 1956. Apparently he has two, one in 'burst and another in blond. The 'burst appears to be his main guitar and looks identical to yours. I was standing right in front of the stage and was amazed at the condition of Gracie's X-350.
 

guildman63

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X series archtops are highly underrated. Some big names like Jimmy Bruno and George Benson have used them over the years, and Matt Guitar Murphy from the blues brothers played a sweet A-500. Guild was not in the habit of giving guitars away or paying others to play them (although John Lennon was given a SF-XII), so that may be part of the reason they are much less prevalent, but more affordable than other brands. Enjoy that beauty!
 
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.... Apparently he has two, one in 'burst and another in blond. The 'burst appears to be his main guitar and looks identical to yours. I was standing right in front of the stage and was amazed at the condition of Gracie's X-350.

My understanding is that Guild actually called the Blond version an X-375?

Thanks everybody for all of the kind words. I love this guitar.
 

jazzman

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I've owned two, a '53 and a '56. Great guitars. I'd guess yours is a '63-'64 and a very late model as it appears to have the newer body shape which changed around that time. Very cool!
 

SFIV1967

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I can't find out too much about these guitars on the internet.
Welcome to LTG! And an excellent first post with a picture! It's a wonderful 1963 made X-350 (1963 was 22723-28943).
The best info is in Hans Moust's book "The Guild Guitar Book". http://www.amazon.com/Guild-Guitar-Book-Hans-Moust/dp/0634009664

My understanding is that Guild actually called the Blond version an X-375?
See Hans' book page 53. Only for some time the blonde version was called X-375. In 1958 it was renamed in X-350B.

Ralf
 
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Zelja

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These are very appealing, especially with the added oddball cool factor of the 6 push button switches. Anyone have any comment on the reliability of these switches (50 to 60 years old & all!!)?
 
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These are very appealing, especially with the added oddball cool factor of the 6 push button switches. Anyone have any comment on the reliability of these switches (50 to 60 years old & all!!)?

The switches looked pretty simple. My luthier had no trouble cleaning them up and re-doing some solder joints. They work fine now. As far as function for a player, I think there have been better ways to preform the same function.

Also, Guild originally installed several capacitors and resistors in the circuitry from the pickups to the switches to attenuate the output and limit distortion. After playing the guitar with these we decided to take them out. The guitar has a much more modern and versatile sound without this attenuation. It can still sound very pure and jazzy but it will now distort before it starts to feed back and give you a rockabilly sound. Before it sounded like it had a bit of cotton in it. Obviously I saved all of the parts.
 
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