This old guitar

dreadnut

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OK, Tom, you got me started...

I bought a new Epiphone 12-String when I was home on Christmas leave from the Navy in '72, and brought it to my next duty station with me. About 2 weeks later it was stolen from under my bunk in the barracks, silly me. I aske the Barracks Master-At-Arms if we had any insurance on private property, and he said "Son, if they wanted you to have a guitar, they'da issued you one!" Thanks a lot, jerk face. I also had a Hohner 64-key double Chromonica with push button inside the guitar case; I wonder which instrument would be worth more today? The Guitar was a Japanese made Epiphone.

I decided not to get another guitar for the rest of my enlistment. In fact, I went to a music store and found a nice Ovation (they were just arriving on the scene) and I went to the bank to get a $400 loan to buy it. I told the loan officer my sad story and she said "I'm not going to give you the loan because I'm afraid this guitar will just get stolen too." I had to admit, she was absolutely right.

So when I got out of the Navy and got a job, I went out looking for a Martin, because that was "the guitar to get." Fortunately the local music store was well stocked, and I was able to play several different guitars. I was just looking for an entry-level American made acoustic, so I played a Martin D-18, a Gibson J-45, and a Guild D-25M. I kept coming back to the Guild because of the tone and resonance, and because of the beauty of the mahogany and spruce - it just looked a lot richer than the other guitars. Heck, what did I know, but I knew what I liked.

The Martin was $600. The (Kalamazoo) Gibson was $500+. The Guild was $300, all prices with hardshell cases.

They were all really nice, but I was just drawn to that Guild. I would have paid double for the Martin if I thought it was worth twice the price of the Guild, but I was intrigued by the beauty of the woodgrain on the Guild, and by its tone.

That was 44 years ago. My old D25M is still my main guitar. It has been to honestly a couple thousand gigs, parties, weddings, picnics, festivals, jam sessions, bonfires, church services, etc. over the years. About to have it re-fretted for the third time, at Elderly Instruments.

Still rings like a bell.
 

davismanLV

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What'd i do?? If I influenced in any way, then I'm glad because I love reading these stories. Sorry about the Epiphone, tho. Theft is a nasty thing to process. I don't get how people can take stuff that doesn't belong to them. I lost a classic 1963 Cadillac CDV that way....... not nice!! Cheers to the D25M that's still rolling along, dread(y)!!!
 

jedzep

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For contrast, I abandoned two D25s of that era. They boomed alright but there was a depth, or complexity of tone that to my ear wasn't comparable to similar sized Martins and Gibsons (D18 and J45). I still hear it that way these days, but in smaller guitars I have an old F30 that sounds so good I tossed my '62 Martin 00018 that couldn't hold a candle to it.

The ear wants what the ear wants.
 

Cougar

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...I bought a new Epiphone 12-String when I was home on Christmas leave from the Navy in '72.... I wonder which instrument would be worth more today? The Guitar was a Japanese made Epiphone.....

I've got a 1970-something Epiphone FT-160 Texan 12-string that my brother picked up in Hong Kong back then. Remarkably, even in great shape, it's probably only worth what my brother paid for it - a couple hundred bucks. It's got remarkably good sound for such a low value guitar!

str167.jpg
 

dreadnut

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Good things come to those who wait. And just think, I coulda been an Ovation kinda guy. I never liked the fact that I just couldn't play 'em sitting down, they kept slipping off my knee.

An awful lot of recording artists played Ovations, though. Glenn Campbell and Bob Marley to name a couple.
 

davismanLV

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Good things come to those who wait. And just think, I coulda been an Ovation kinda guy. I never liked the fact that I just couldn't play 'em sitting down, they kept slipping off my knee.

An awful lot of recording artists played Ovations, though. Glenn Campbell and Bob Marley to name a couple.
They had a following and a unique sound and I thought they were super nice to listen to. So there's not ONLY one sound, there's a bunch of them, right?? 🎸
 

walrus

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Good things come to those who wait. And just think, I coulda been an Ovation kinda guy. I never liked the fact that I just couldn't play 'em sitting down, they kept slipping off my knee.

An awful lot of recording artists played Ovations, though. Glenn Campbell and Bob Marley to name a couple.

+1. Big Glen Campbell fan, but I just could not get used the shape of an Ovation.

walrus
 

dreadnut

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Haha, that is kinda funny, isn't it Coug?

I'll only give up my Guild when they pry my cold, dead fingers off the frets!
 
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