Thanks to Bing & Brian at Guitars of Montana

marcellis

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I want to thank Guitars of Montana for getting my Gruhn/Walker D-60
repaired, shipped and delivered in one piece. And especially to their luthier, Brian Wicks
for doing superb set-up and repair work and to LTG'er Bing for making sure it got done on time.

My 1988 Guild D-60 that I have still never seen or played arrived.
A friend/co-composer, Peter Streit is keeping it for me.

Here is Peter's report on repairs. (BTW, he's a fantastic guitarist,
as good as anyone I've heard around here. He’s a better pianist than me too.)

Here's his report:

Reply

Hi Marc,

"I got it and just played it a little. They did an outstanding job on the repairs
- it's like a brand new guitar. It sounds great, plays great all the way up the
neck and looks great. I'm impressed with the craftsmanship - all of the
defects from before are fixed and it's a wonderful guitar. I'll spend some time
with it and record something for you to hear."

I bought it off EBay. Seller disclosed the defects he was aware of.

There were several serious repairs to be made. Some idiot had
put a shim under the fingerboard. That had to be removed.

Note the stupid shim under the fingerboard.

d60_repair.jpg


There was some sort of problem with the upper part of the sound-hole.
It was concave. That had to be repaired. There were binding issues and finish problems.

The neck had to be reset. (I expected that - to get rid of the stupid shim).
The action was unplayable. It needed a fret job.

The guitar ended up costing me a lot more than I thought when
I first bought it. But if Peter says it's fixed & it's a new guitar. I believe him.

I also had a K&K installed with the little volume control.

Brian Wicks is the luthier for Guitars of Montana. He apparently
aced every repair that needed to be done and took it a step
or two further. I didn’t expect him to re-fret it or touch up the finish.

I was in no hurry. After all, I’m 12,000 miles away. There were a lot
Of Fenders, Martins, Gibsons ahead of me. But they're especially recommended
for Guilds. As y'all know, Bing sells and repair a lot of vintage Guilds.

Guitars of Montana

d60_heel.jpg


d60_top2.jpg


Brian Wicks measuring something.

d60_top3.jpg


d60_top1.jpg


POST-REPAIR Note the absence of any stupid shims under the fingerboard.

neck_reset_front_post-repair.jpg


New Binding (Note – I did not replace the heel binding).

neck_reset_back_post-repair.jpg


front_post-repair.jpg


back_post-repair.jpg



GUITARS OF MONTANA
 

fungusyoung

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Congratulations, Marcellis! And, thanks for posting this restoration story, including the photos. That was an awesome read, and I'm extremely happy for you. Bet you just can't wait to play it!

You can never know enough good guys that are capable of doing a great repair job!
 

6L6

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Many THANKS for that post! And hats off to Bing and the gang!

Now, can someone tell me the features of the D-60 that differentiate it from a D-55?

6
 

marcellis

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Don't ask me. I haven't seen it or played it yet.

It's a Kim Walker/Gruhn design. It looks like a smaller headstock.
It may be lighter too. I always wanted a burst D-55. As I understand
it, Gruhn told Walker to design a new top-of-the-line dread that
would be different from the D-55. How is it different? I can see
a difference in the head stocks. I've heard this sounds more
like a Martin HD-28 than a D-55. Hope not.

There were 2 D-60's, BTW. One was this Walker/Gruhn
redesign with Rosewood. The other was a D-55 w/Maple
back & sides.
 

FNG

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I've only played two Walker era Guilds, a F-46, and D-60. Both seem lighter than most Guilds, and very lively, resonant sounding with very nice sustain. Good job on rescuing a classic Guild.
 

West R Lee

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Bing is such a great guy, and now it's fantastic to know that he has a great repairman, I'll stick that in the ol' memory bank for future reference. So glad that fine old guitar could be restored. Congratulations to you Marc on a fine guitar, and to Bing and his craftsman on doing such a fine job.

West
 

geoguy

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I'm glad you shared that story, & the pics of open-heart guitar surgery in action . . . may sometime you can tell us what you really think about that unusual shim under the fingerboard? :lol:

- Mark
 

chazmo

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Marc,

It looks like a terrific neck job. Congrats. Let's see full pix when you get it back.
 

taabru45

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Nice to see the guitar looking the way it should.....nice job for sure........
Ever consider selling an 'authentic Guild neck shim' on ebay.......Some of the others who have tried to fly the Guild banner would...but you have real pictures for authenticity. :lol: Steffan
 

marcellis

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No. I allowed GOM to keep the shim. I understand Bing is going to put it
in a glass case on display, in the gallery where he keeps all his Grizzly
Bear trophies.

I knew about the stupid shim when I bought it. It was a good price.
But I have no idea when I'll ever be able to see or play this guitar.
I imagine it will be another year.

My friend, Peter Streit, used to be a Guild guy. He's got a JF-55 and
a Guild 12. (412 or 512). But he moved on to Collings and Ryans.
I hope the D-60 will bring him back in the fold.
 

Bing k

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I think Brian http://www.wicksguitars.com/ told me there are a lot of pictures loaded on a flash drive or camera disc here someplace showing much of the work that was done. I'll talk to Dave http://www.daverummans.com about getting them where everyone can see them. I only had it here for a short while when it came up from the shop to be shipped but did get a chance to play it just a little before sending it off to Peter.
 

fronobulax

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Thanks. Posts/threads like this especially add value to the LTG community. One more reason to wish I had some business I could send Bing's way.
 

chazmo

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So, Marc, what's the deal? You won't ship the guitar overseas to yourself? Don't want to be overseas with it? Just curious.
 

marcellis

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If your Guild needs serious repair -- send it to GOM. They aced mine and it was a basket case.

Chazmo: "So, Marc, what's the deal? You won't ship the guitar overseas to yourself? Don't want to be overseas with it? Just curious."
Why do I leave my D-60 in the US?

I already have 3 guitars here. The problem is --- guitars are expensive as Hell to ship back.

I have a choice to bring back the Grey Goose and bring another to replace it. I have a
Hand-made Cedar/Indian Rosewood jumbo that sounds fantastic - but needs work.

I could bring it back (fixed cheap) or fix it in the States (expensive).

Or I could bring the D-60 back here. Eventually, I'd have to ship it back.

Now I'm content with the Grey Goose, my F-65ce and my marcellis brand archtop,
which kicks such serious *ss. You cannot believe how it kicks *ss. Since I'm mostly
recording, The F-65ce is the best pure recording guitar I've ever owned.

What am I going to do with a D-60 over here?

I'll let Peter use it for a year or so. He's a serious player.
Peter is going to try out the D-60 with the K&K at his church this Sunday.
He is a very good player. I'm just a composer who sometimes uses guitars in
my compositions. Peter has a lot of really expensive guitars. Two 70's era Guilds
(JF-55 and F512, Collings CO3, Taylor 814ce, and a Ryan that cost several
thousand bucks.) If he says the Guild is up to that level - I'll be very happy.

He doesn't have an arch top that kicks *utt though. See that arch top on the left? It kicks serious*utt.
It's the loudest arch top I've ever played. It's got my name on the headstock too.

ready2gig.JPG


The fact is - I need to seriously consider getting a nylon string.
I'm thinking of having one made.
 
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