parker_knoll
Senior Member
Hello folks
Having sold my 1960 SF III which had amazing action and playability, I'm back to my '66 which is much honkier but I prefer the sound. I've always had some buzzes, choked notes and high action, none of which I had with the 1960.
I've tried to get the playability improved twice; the first time about two years ago the guy found a fingerboard hump which was choking the notes above the 12th, so he stoned the frets where the hump was. However, although it played better it actually sounded worse and more buzzy after this.
I took it to another guy recently and he sanded down the fingerboard and refretted the whole guitar; he did a good job but the action is still high, maybe higher than ever and it sounds the same, or maybe still worse : )
Two questions:
1. Is there anyway to reduce the action? The bridge is pretty much at its lowest setting
2. Would replacing the Bigsby B6 with a B7 improve things by increasing tension with the greater break angle?
Thanks
Having sold my 1960 SF III which had amazing action and playability, I'm back to my '66 which is much honkier but I prefer the sound. I've always had some buzzes, choked notes and high action, none of which I had with the 1960.
I've tried to get the playability improved twice; the first time about two years ago the guy found a fingerboard hump which was choking the notes above the 12th, so he stoned the frets where the hump was. However, although it played better it actually sounded worse and more buzzy after this.
I took it to another guy recently and he sanded down the fingerboard and refretted the whole guitar; he did a good job but the action is still high, maybe higher than ever and it sounds the same, or maybe still worse : )
Two questions:
1. Is there anyway to reduce the action? The bridge is pretty much at its lowest setting
2. Would replacing the Bigsby B6 with a B7 improve things by increasing tension with the greater break angle?
Thanks