GAD:
That is a truly beautiful instrument. Great catch!
On the metal bridge: I went through that with a Gretsch round up. The metal added bite, but also plink. Didn't take long before I was looking for alternatives. By far the best was the solid brass, grooved bridge (bar bridge, or "rocker" bar bridge for Bigsby) available on some Gretsches. I got one of the regular ones. Even though my Gretsch had a Bigsby, I was betting you didn't need extra motion in the bridge to keep the Bigsby in tune. And that's the way it turned out. Tonally, the bar bridge on a rosewood base was way better than not only the Bigsby Aluminum bridge, also the solid rosewood bridges I've tried. No plink ... better sustain, plus a pleasing blending of the different string tones together.
A guy over on www.gretschpages.com (Proteus) has taken that idea further, crafting "Tru Arc" bridges for which you can customize string spacing and radius. Something not possible with the orginal bar bridges. Anyway, that might be worth checking out.
MD
That is a truly beautiful instrument. Great catch!
On the metal bridge: I went through that with a Gretsch round up. The metal added bite, but also plink. Didn't take long before I was looking for alternatives. By far the best was the solid brass, grooved bridge (bar bridge, or "rocker" bar bridge for Bigsby) available on some Gretsches. I got one of the regular ones. Even though my Gretsch had a Bigsby, I was betting you didn't need extra motion in the bridge to keep the Bigsby in tune. And that's the way it turned out. Tonally, the bar bridge on a rosewood base was way better than not only the Bigsby Aluminum bridge, also the solid rosewood bridges I've tried. No plink ... better sustain, plus a pleasing blending of the different string tones together.
A guy over on www.gretschpages.com (Proteus) has taken that idea further, crafting "Tru Arc" bridges for which you can customize string spacing and radius. Something not possible with the orginal bar bridges. Anyway, that might be worth checking out.
MD