NGD (not Guild)

GGJaguar

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Today’s NGD is non-Guild related, but it is still a “G” brand guitar. Since it’s not a Guild, I’d normally just show a pic with my impressions of it, but the backstory is interesting if you like history and the creative mind of Leo Fender. As a capstone to my “40 years of G&L” collection, I acquired their newest model called the Espada. In a nutshell, there was a concept guitar sitting in Leo Fender’s office at the G&L factory that he designed around 1968 while he was under contract with CBS Musical Instruments. I was fortunate enough to inspect it when I was at the G&L factory back in 1998 so I’m familiar with it.

1968 concept guitar.jpg


Fast forward to 2018 when the current owners of G&L found a drawing for the prototype of the concept guitar. It shows the hum cancelling split-coil pickups and bizzaro bridge as on the concept guitar, but with a fancier control plate.

11-20-69 concept guitar drawing.jpg


G&L President Dave McLaren thought it would be cool to use the concept guitar and drawing as the basis for a new G&L that incorporated Leo’s later technology rather than that of the late 1960s. This meant Magnetic Field Design (MFD) pickups instead of alnico rod pickups and a preamp similar to Leo’s preamps of the 1980s that were better suited to the MFDs. In addition, instead of using the strange prototype bridge (and believe me it’s a real Rube Goldberg thing), a G&L Saddle-Lock bridge would be used. The concept guitar and drawing did not specify a neck (the neck used was a Fender Coronado-ish thing), so Dave dug through the G&L archives and found a drawing and template for an early style guitar neck that was never used on a production guitar. Here's the G&L prototype next to Leo's concept guitar.

Espada proto and 1969 concept guitar.jpg


After some tweaking (change from alder to ash, dot to block inlays), the final result was the Espada that was introduced at the 2019 Winter NAMM show. The name means “sword” in Spanish and was inspired by the control plate that, to Dave McLaren, looked like a sword. Here's Dave with the first two (pre-production) Espadas at NAMM.

Pre-production NAMM Show Espadas Jan 2019.jpg


The 2019 models were either sunburst or natural ash. Two new colors were added for 2020: Sonic Blue and Clear Orange and I was lucky to get a good deal on an orange one that has a flame maple neck to boot! Would Leo have re-designed his original idea in this way? Knowing Leo’s G&L work very well, I’d say yes, I think he would have come very close to this design. Overall, it’s a typical G&L – Fendery neck profile and a sound that’s bright and aggressive. The switchery and preamp is totally 1980s Leo, too. It’s all very familiar feeling for a vintage G&L nut like me. The only nit to pick is that, IMHO, the block inlays demand that the fingerboard be bound. It looks unfinished to me without it, but I’ll survive because I have plenty of Guilds with bound fingerboards. :)

Espada.jpg
 

Zelja

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Very cool info there GGJ. Always been interested in the G&L guitars but don't see too many here in Oz. Also they mostly seem to be 1 5/8" neck widths while I have a strong preference for 1 11/16"" necks.

I assume those MDF pickups are actually humbucking, although they would sound like single coils as only one coil picks up the actual string vibration, yes?
 

GGJaguar

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The nut width is 1 11/16" on this guitar. You are correct, the split coil MFDs are humbucking, but sound like single coils.
 

HeyMikey

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Cool guitar and a great backstory history lesson!
 

Coop47

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Wow - that's really cool. Thanks for the history and the pics - very enjoyable. G&Ls are impressive and gorgeous in person - especially the orange finish. They also seem to be a good company to work with according to the dealers I've spoken to. I have a 95 ASAT that I've never really gotten used to enough to gig, but I can't bear to sell it because it's such a beautiful well-made guitar.
 

shihan

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Very cool story, thanks for that. Leo loved complicated bridges and switching systems (hello Jazzmaster and Jaguar), so it’s no surprise that guitar had both. I’d love to try one, bet it’s sweet!
 

ruedi

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This is a very cool guitar, and an interesting read, thanks for sharing! This control plate is really something else, great design! I would love to get my hands on one of these G&L's, but you don't find them here too often. Question: Do you know why they have a generally worse resale value than Fender guitars?
 

GGJaguar

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Question: Do you know why they have a generally worse resale value than Fender guitars?

Unfortunately, yes, but that means they are less expensive on the used market so good for you! In addition, G&L makes a lot of lefty guitars relative to other makers which is also good for you. But, I don't think G&Ls are too common in Europe. Mostly in Deutschland und Großbritannien.
 

ruedi

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Unfortunately, yes, but that means they are less expensive on the used market so good for you! In addition, G&L makes a lot of lefty guitars relative to other makers which is also good for you. But, I don't think G&Ls are too common in Europe. Mostly in Deutschland und Großbritannien.

Thats good news, thank you! So I'll keep my eyes open :)
 

SFIV1967

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I didn't really follow those G&L Espada models, but the unbound neck looks like from a Fender 2011 '75 Telecaster or the recent Alternate Reality series, like that Meteora (which I really dig!).

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