The curve flattens out a bit there, but no dent that I can see.is it just an illusion in the picture? But I see a slight "dent" in the curve of the side at 3rd side support on treble side: At least i think I see it.
It won't be long now!All kerfed up.
When gluing the sides to the soundboard, individual pieces let you separate the operations. First, glue in the sides to the neck slots. Then glue the tailblock on. Then the individual tentellones can get glued. You’re not trying to do everything at once. Very low stress. (Although there are some you do use strips for the soundboard, gluing them to the loose sides first. Not for me, my way is traditional and so much easier.) No need to try to juggle three different glue areas and make sure they go together correctly, all before the glue starts to set up.Why does the bottom get individual pieces but the top gets strips? Is it because you’re gluing the top blind and it would be difficult to make individual pieces perfectly straight?
When gluing the sides to the soundboard, individual pieces let you separate the operations. First, glue in the sides to the neck slots. Then glue the tailblock on. Then the individual tentellones can get glued. You’re not trying to do everything at once. Very low stress. (Although there are some you do use strips for the soundboard, gluing them to the loose sides first. Not for me, my way is traditional and so much easier.) No need to try to juggle three different glue areas and make sure they go together correctly, all before the glue starts to set up.
When gluing the back on, there’s only one step. So it’s easier to use the kerfing strips (or laminated linings) and glue them to the sides first. Then, because the back has an arc as well as tapering down to the neck, the kerfing is sanded to that radius and taper in place, ensuring a precise fit. (The depth changes from 95mm at the tailblock, down to 85mm at the neck “joint”; tapering at the waist.) There’s no benefit from using the tentellones here. It’s easy to clamp the strips to the sides. Then the back braces are notched into the kerfing, everything is test fit, adjustments made, and the back gets glued and clamped.
No, archtops are constructed similar to steel string acoustics, with the neck going on after that the body is together. And since the bracing on the top typically doesn’t extend to the sides, there’s no notching. So, kerfing strips are used both top and bottom.Neat! Thanks for not pointing out that I got the top and back reversed.
I wonder - are semi-hollow and hollow-body electrics made similarly? That could explain why I've had parts (double-stack stereo master volume) that I couldn't remove from a Starfire since they would have been installed before the back was glued on.
You got it!Maybe :
- 22 = year 2022
- 15 = instrument # 15 since dawn
Did you leave any mysterious pencil marks on the interior of the body so as to perplex future researchers?Better get that label glued in before I close the back.
There is a sketch for a perpetual motion engine that runs on dust sketched under the top. But I don’t suppose anyone’s interested enough to go to the trouble of reading it.Did you leave any mysterious pencil marks on the interior of the body so as to perplex future researchers?
I heard you'd done a proof of Fermat's last theorem sketched underneath the kerfing... [ sorry, geeky math joke for those who follow such things. ]There is a sketch for a perpetual motion engine that runs on dust sketched under the top. But I don’t suppose anyone’s interested enough to go to the trouble of reading it.