Inside Westerly 1981 article by RI employee John Judge

wileypickett

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I've mentioned the magazine *The Guild of American Luthiery* in several posts over the years. My favorite (mainly) guitar magazine by far; it's a quarterly, only available by subscription. It's unlike any other guitar magazine because it's written by actual guitar makers, and covers the history of guitar making, includes innovations in design, product evaluations, interviews with luthiers from all over the world, covers every sort of guitar repair imaginable, and the like. You can bet guys like Fixit are well acquainted with the magazine.

(You could compare it to the range of automotive magazines; while it's great fun to look at pictures of beautiful old cars and read gushing articles, it's also instructive to go "under the hood" in a deep way to better understand the history, repair, design of cars, etc. Or guitars -- you get my drift.)

The magazine began publishing in 1985, and has put out almost 140 issues to date. I began subscribing some years ago and was so impressed by the range of topics they covered and how deep they went that I began chasing down back issues and today have an almost complete collection.

Before they were a full-size magazine, they put out the digest-sized "The Guild of American Luthiers Quarterly*, which started in 1977 as an 8-page pamphlet. Recently I was able to purchase the nearly complete run of these early issues and was pleased to discover this article in the March, 1981, issue by former Guild employee John Judge, who I'd not heard of before. He worked there in 1966.

There are misspellings (Dronge is "Drange"; Charlie Byrd is "Bird") but it's interesting and includes several amusing anecdotes and a sketch of the Westery plant work area. I don't think its ever been posted on LTG.

(BTW, to see how far the GAL has come since 1977, see this link: https://luth.org/journal/american-lutherie-138-winter-2019/)

Glenn

EDIT: though I loaded these pages in order, the 2nd image appears before the cover and the fifth image appears before the fourth. I'm not sure how to correct this so for now you'll have to jump around; maybe one of the moderators can re-order the images? Thanks!
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fronobulax

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Don't see an easy to reorder but I'm not the sharpest Mod in the drawer so...

I did, however, assemble the pages into a PDF for later use. Looks like I was able to attach it to this most. I wonder if everyone can attach PDFs or that is a Mod thing?
 

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GAD

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I fixed the order.

Any chance you have a scanner or might consider selling it to me so I can scan it?
 

hansmoust

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Before they were a full-size magazine, they put out the digest-sized "The Guild of American Luthiers Quarterly*, which started in 1977 as an 8-page pamphlet. Recently I was able to purchase the nearly complete run of these early issues and was pleased to discover this article in the March, 1981, issue by former Guild employee John Judge, who I'd not heard of before. He worked there in 1966.

Hello Glenn,

I am familiar with that magazine and the article by John Judge. I did interview John during the early '90s for my book basically because some of the dates and historic events did not make sense to me. We were able to figure it out and it turned out that John started working for Guild during January of 1968.

Sincerely,

Hans Moust
www.guitarsgalore.nl
 

dreadnut

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Well that is certainly an interesting take on things at Guild! So he might have had a hand in making my '76 D25M.

Having spent 35 years in manufacturing and quality management, I get it. And lunch hour in the fountain sounds like a delightful idea!
 

wileypickett

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I visited the site of the old Westerly plant some years ago, and I have to say, that quarry across the street is not something I'd use for a swimming hole in a million years! Maybe (I hope!) things were different in 1968. (Thanks for correcting the date Hans.)

John Judge contributed a few articles to the early GAL, but this is the only thing I've seen that touches on his years at Guild.
 

Nuuska

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Most interesting article - thank you.

Of course it shows the unpleasant side of things, too - similar to working as a roadie or FOH mixing engineer for some artist, who's music is fantastic - and his/her public image is spotless - but when you tour months and share same backstages and hotelrooms - the unpleasant side raises its ugly head.
 
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