When I pick up my Martin D 35 after a week or two, it sounds so overblown, and it is the driest rosewood dread I've played. It takes a while for my ears and technique to adapt. Play it for a week, and my Guild D 35 sounds sterile until my ears adjust. After two days it's what was I thinking. Pick up my 00 15 and think, why do I own this? A day or so later the incredible midrange get through to the brain cells. My Texan seem impervious to this phenomenon. If my Texan sounds off, it's string change time. It takes me months or longer to know a guitar. I rotate through four very different guitars, a week or two at a time. Rarely back and forth on the same day. I play some songs on a particular guitar. Some songs are played on all of them, but differently. This is one of the big advantages to having a diverse collection. When I got my Martin D 35, I suddenly was playing Eagles and Niel Young a lot. When I got my 00, it was Jimmy Rodgers, Guild D 35, classic country back to Hank Williams, Porter Wagoner, etc. The Texan lead me to Towns Van Zandt and Guy Clark, Steve Earl and more. The 00 get Willie Nelson too.
The same thing applies to my songwriting. Guitars lead me in different directions.