Guild B402-A

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Hi folks

I'm new here and new to Guild basses in general. I have been collecting Gibsons for a couple of years now (I have 3 (and a half if you count the Epiphone)) but I've always had a yearning for a Guild B series bass. I really liked the unusual body shape, the traditional build values, the fat single coils. However, I was only aware of the B301/302. Being 20 fret passive basses, they didn't really add much to my collection as I have something similar with my Gibson G-3 (20 frets, passive, single coils (albeit 3 of them)). Then I discovered the existence of the B401/402. Now that's different, I thought to myself. I get the body shape, early active electronics (like ones you can actually repair if they go wrong) and a 22 fret neck. Then I found out that there were only something like 335 ever made. I figured it would take a while to obtain one. Happily, one popped up on eBay not long after this revelation so I decided to pounce. As usual, I've done it the wrong way round and bought the bass first then looked around for ways to recoup the cost - well, that's what credit cards are for eh?

Enough blab, it arrived yesterday and here are some rubbish mobile phone pics (hopefully better ones to come post clean up):

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It is serial BD100313 making it a 1981 model (and one of the last). It needs a good clean, an airing (smells a bit like an old people's home!), new strings and a setup, but even with the dead, flappy strings on it I can hear good things.

I'm looking forward to getting to know it better, and I thought I'd say thanks for all the info on 401/402 that I found on here which helped me decide to go for it.
 

Default

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Welcome to the den of enablers! Looking forward to your impressions when you get it squared away!
 

Ross

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Neepheid:
Welcome to LTG. That's a fine instrument you have there. :D

PS - your office looks a lot like mine :lol: :lol:
 
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Hey folks

I've thrown a fresh set of strings on the bass and tweaked the string spacing a bit (seemed to me like it needed widening a bit so it matched the pole pieces better as well as giving me more room - I like a wide spacing) and it's sounding and feeling much better. I still haven't fully tweaked at it yet, I'm letting it acclimatise to its new surroundings in NE Scotland first.

In my experimentation, this is what I reckon is going on with the controls - anyone care to verify for me?

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The only one I'm not sure about is the series/parallel switch - it only seems to have a major effect when both pickups are selected, but it seems to have a slight effect on the bridge pickup and absolutely no effect on the neck pickup.
 
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I got my answer - it's a phase switch. My guess is that it simply flips the bridge pickup around, hence why it seems to slightly affect the bridge pickup while doing nothing at all to the neck. It would also explain the hollowness of the tone and the drop in output. Don't think I'll be using it much - the in phase sound is so good :)

Also I got some soundclips done. They were recorded directly via an E-MU 0202 USB sound interface into Audacity.

http://www.ifb.co.uk/~matthew/mp3/b402-a soundclips/
 

fronobulax

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thanks. wide range of tone there (says one who is comfortable with a starfire i :wink: )
 
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krysh said:
sounds nice solo.
how does it sound in a band context?

I've only played it in the rehearsal room so far (not the ideal setting, having to use whatever amp you're provided with and the sound bouncing off the walls at each other). I could hear it, put it that way, which is a minor triumph if your rehearsal rooms are anything like mine ;)

Once we've had a gig I'll let you know...
 

twocorgis

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Welcome here neepheid, and that's a fine looking (and sounding) bass you have there!

It's nice to have another Scotsman on the list as well; my dad was a direct import from Edinburgh.
 

Bobby B

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Howdy neepheid,

I'm proud owner of a B402-A myself. I've gigged it and recorded with it. I had a new one back in the early 80's that was stolen and finally found another. There is some tepid reaction to the B301 and B302, but those are just passive versions of the B400's. I'm a fan of the neck pickup, so the B402 works better for me than the 401, but it's just a more versatile version of the single pickup model anyway. The only complaint I have is that it's damn heavy, but I think all that wood mass is part of what makes it sound so awesome. Congrats!

I finally decided to part with my 401, so it's on the Bay at the moment. Here they are together.

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