A Tale of Two F-112s

hogwldfltr

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There is currently a conversation in the UMGF regarding the differences between two F-112 NTs. One is a '70 and the other is a '71. They have different shapes and the question arrises as to where they were built and when the design change came into play. Any illumination would be apprecitated. The are both restores.

Thanks,

-Lee
(Bend, OR)

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Lee -- I happen to have two F112's. One is a Hoboken, NJ built F112 from 1969 and the other (my favorite) is a 1973 Westerly F112. Truly, these guitars bear little resemblance to each other. The Hoboken is more like the F-30 in shape and has a wide-open "American" sound, while the Westerly is more rounded (like a mini-jumbo) in shape and has a warmer, darker more "European" sound. I use both live and in the studio with the same microphone set-up, thus the differences are strictly the guitars themselves. The Hoboken also has a wider, flatter neck and fretboard, a bit thinner than the Westerly. I really don't know why they made such a radical change in the design - ask Hans - but I am personally glad they did and really believe the Westerly F112s are superior in sound, depth, tonality and balance. I feel some times that the Hoboken is a bit "blatty" in its sound and too open for some applications. But you are definitely right - they are different animals. Hope this helps...dbs
 

hansmoust

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hogwldfltr said:
There is currently a conversation in the UMGF regarding the differences between two F-112 NTs. One is a '70 and the other is a '71. They have different shapes and the question arrises as to where they were built and when the design change came into play.



Hello hogwldfltr,

There was an earlier thread about this on this forum although the thread was not necessarily about the F-112 but about Guild shapes in general.
After the move from Hoboken to Westerly was completed it turned out that a lot of the fixtures that had been used in Hoboken were worn out and had to be replaced to enable the increase in production that the people in charge had in mind and which had been the reason for the move in the first place. A lot of new molds and the corresponding collars had to be fabricated and for some reason the shapes of most of the F-style flat tops, some of the X-style archtops and what was left of the acoustic archtops, were somewhat altered.
The instruments on which the change of shape was the most dramatic were the F-30, the F-112, the F-47 and the F-212 that used to have more or less smaller, 'folk style' bodies but became almost 'small jumbos' even though they kept about the same width at the lower bout. The change was even more obvious in the depth of the bodies, which was increased quite a bit on some of the models.

The reasons behind the alteration of the shapes are not all that clear. After talking to some of the people who were in charge at the time, it seems like the change of the shapes was not considered a major issue. It was something they liked and the rims might have been easier to produce as well. In general they seemed to be pleased with the final sound that the extra depth gave them.

Both the guitars that are discussed on the UMGF were made in Westerly, but the older one was still made with the old fixtures and possibly with body parts that were left over from the Hoboken period. The new fixtures were fabricated during 1970 and the models with the new shapes were gradually introduced during the period that followed.

Sincerely,

Hans Moust
http://www.guitarsgalore.nl
 

hogwldfltr

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Hi dbs and Hans,

Thanks for the responses. Are either of you clear on the time line for the transition from Hoboken to Westerly. Different sources indicate different things.

Thanks,

-Lee
 
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Lee -- I defer to Hans on this one, but my understanding was that the move took from 1970 until late '71 - a period of transition. By '72, they were in. But, then...I wasn't there. :lol: dbs
 

hansmoust

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hogwldfltr said:
Hi dbs and Hans,

Thanks for the responses. Are either of you clear on the time line for the transition from Hoboken to Westerly. Different sources indicate different things.

Thanks,

-Lee

Hello Lee,

Do not know what different sources you are referring to and I assume that you're not familiar with my book. It's called 'The Guild Guitar Book - The Company and the Instruments, 1952-1977' and it's available from many on-line sources. The time line for the transition from Hoboken to Westerly is described in a separate chapter, so maybe you should check it out.

Sincerely,

Hans Moust
http://www.guitarsgalore.nl
 

hogwldfltr

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Hi Hans,

I'm aware of the book as it has been referenced by a number of individuals. The sources I was discussing are the two standard references for guitar value, the Blue Book and the Vintage Guitar Price Guide both of which have contrary information which is posted in the thread on the UMGF page. Since the only information I'm looking for is the dates of the transition from Hoboken to Westerly and what the overlap for build in the two plants was. It would seem that no matter how wonderful the book is I wouldn't use it much other then for this information.

Thanks for your help.

-Lee

PS. I've also referenced this thread in the UMGF.
 

hansmoust

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hogwldfltr said:
I'm aware of the book as it has been referenced by a number of individuals. The sources I was discussing are the two standard references for guitar value, the Blue Book and the Vintage Guitar Price Guide both of which have contrary information which is posted in the thread on the UMGF page. Since the only information I'm looking for is the dates of the transition from Hoboken to Westerly and what the overlap for build in the two plants was.

Hello Lee,

Understand what you're saying but if you're using a 'Price Guide' you should keep in mind that you also need a source that will help you date your guitar correctly. Without the right dating information, a price guide is worthless.

Sincerely,

Hans Moust
www.guitarsgalore.nl
 

hogwldfltr

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Hi Hans,

Thanks again. I was using the Guild Guitars site for dating my guitar to 1970.

Guild Site?

Is there an issue with it's accuracy?

-Lee
 

hansmoust

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hogwldfltr said:
I was using the Guild Guitars site for dating my guitar to 1970.

Is there an issue with it's accuracy?

Hello again Lee,

Not in the case of the 1970 period serial numbers, but otherwise the dating information on the Guild site is full of mistakes and there are many omissions. As I mentioned before, both the F-112s in the discussion on the UMGF were manufactured in Westerly.

Sincerely,

Hans Moust
http://www.guitarsgalore.nl
 

hogwldfltr

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Hi Hans,

By the way, I couldn't resist. I have a copy of your book enroute.

-Lee
 

hansmoust

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hogwldfltr said:
Hi Hans,

By the way, I couldn't resist. I have a copy of your book enroute.

-Lee

Hello Lee,

There are a lot of little things in there that most owners like to know about their guitars.
And if there's anything not clear after reading the book, just get back here and we'll try to come up with an answer.

Thanks and enjoy!

Sincerely,

Hans Moust
http://www.guitarsgalore.nl
 

hogwldfltr

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hansmoust said:
hogwldfltr said:
Hi Hans,

By the way, I couldn't resist. I have a copy of your book enroute.

-Lee

Hello Lee,

There are a lot of little things in there that most owners like to know about their guitars.
And if there's anything not clear after reading the book, just get back here and we'll try to come up with an answer.

Thanks and enjoy!

Sincerely,

Hans Moust
http://www.guitarsgalore.nl

Will do. Thanks.

-Lee
 
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