Guildedagain
Enlightened Member
Why is it I, and many others, tend to naturally tune to A = 432Hz? I never liked A440 all that much, always had a tendency to detune slightly but not all the way to E flat, which is another nice alternative to A = 440 Hz. Hendrix.
en.wikipedia.org
A = 432 Hz, Is it more healing, more "in tune" with the earth.
Vivaldi was a proponent of A = 432Hz, Wagner A440. The Four Seasons vs The Flight Of The Valkyries, made popular by Apocalypse Now.
A = 440 Hz was adopted somewhat universally on the eve of WWII. More strident, more warlike.
A = 432 Hz = A string 5h fret harmonic = 528 Hz, the solfeggio frequency for DNA repair.
As in it is quite possibly even more healing to play in Vivaldi's tuning.
Here are the freqs for A = 432 Hz for guitar and bass.
Guitar Tuning
A=432
E, 81 hz (6th string)
A, 108 hz (5th string)
D, 144 hz (4th string)
G, 193 hz (3rd string)
B, 242 hz (2nd string)
E, 323 hz (1st string)
Bass Guitar Tuning
A=432
E, 41 hz (4th string)
A, 54 hz (3rd string)
D, 72 hz (2nd string)
G, 96 hz (1st string)
What are the Solfeggio frequencies?
Solfeggio frequencies make up the ancient 6-tone scale thought to have been used in sacred music, including the beautiful and well known Gregorian Chants. The chants and their special tones were believed to impart spiritual blessings when sung in harmony. Each Solfeggio tone is comprised of a frequency required to balance your energy and keep your body, mind and spirit in perfect harmony.
Where do these tones come from?
According to Professor Willi Apel, the origin of the ancient Solfeggio scale can be traced back to a Medieval hymn to John the Baptist. The hymn has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher that the first syllable of the line that preceded it. Because the music held mathematic resonance, the original frequencies were capable of spiritually inspiring mankind to be more “god-kind”.
In the mid-1970’s Dr. Joseph Puleo, a physician and America’s leading herbalist, found six electro-magnetic sound frequencies that corresponded to the syllables from the hymn to St. John the Baptist.
How were the frequencies discovered?
According to the documentation provided in “Healing Codes for the Biological Apocalypse“, Dr. Joseph Puleo was introduced, through an open vision, to the Pythagorean method of numeral reduction. Using this method, he discovered the pattern of six repeating codes in the Book of Numbers, Chapter 7, verses 12 through 83.
Dr. Joseph Puleo found repetitions of a single issue or subject in the Book of Numbers. In Chapter 7, verse 12 he found a reference to the first day, the second day was mentioned in verse 18, the third day in verse 24, and so forth until the final reference in verse 78 which is speaking of the twelfth day.
The Pythagorean reduction of these verse numbers is:
Do you see the repetition of 396? This is the first frequency.
He found the next frequency by looking at verse 13, which is speaking of an offering. Six verses down, which is verse 19, the same offering or idea is repeated, six verses down at verse 25 there is another repeat, etc. Thus, by using the Pythagorean method of reduction, again he discovered a pattern. This pattern is 417. It is the second frequency. The rest of the frequencies were found using the same method.
The secret meanings of the ancient syllables
Each tone has its own unique potential
As you already know, the syllables used to denote the tones are: Ut, Re, Mi Fa, Sol, La. They were taken from the first stanza of the hymn to St. John the Baptist:
Ut queant laxis Resonare fibris
Mira gestorum Famuli tuorum
Solve polluti Labii reatum
Sancte Iohannes
Literal translation from Latin: “In order that the slaves might resonate (resound) the miracles (wonders) of your creations with loosened (expanded) vocal chords. Wash the guilt from (our) polluted lip. Saint John.”
In other words, so people could live together in peace and communicate in harmony about the miracle in their lives, and how God blessed them to produce this “magic”, people’s true unpolluted spiritual natures required revelation. The above text seems to suggest that Solfeggio notes open up a channel of communication with the Divine.
Click here for detailed description of each tone.
And this;
Why 432Hz?
The Law of Octaves: Every doubling of Hz yields a perceived pitch increase of one octave. i.e. A440 sounds like one octave above A220, and two octaves above A110, et cetera.
Units-wise 1Hz = 1 sec = 1/60min = 1/3600hr = 1/86400 or 1/60/60/24 earth rotation. Remember, the second is an important geometric measurement based on the speed of the earth's rotation, the "second" 1/60th division of the hour hour = (((1/2)/3)/4) of a day.
Everything moves a fixed distance every second just sitting on the planet.
So, 1Hz*28 = 256Hz=~C using the Law of Octaves, thus the earth spins in "C" at the second level, which is the same timeframe music operates on. Larger phenomena could be tuned to larger cycles.
Using Harmonic Just Intonation, set the 1/1 Root to C = 1/1. Thus the 27/16 maj6 is A, such that where C = 256 Hz and 512 Hz, A = 432 Hz within that octave, using ancient Pythagorean tuning methods.
TL;DR: (1 day/2/3/4/( 3 * 4 * 5 )/( 3 * 4 * 5 )) * 2 * 2 * 2 * 2 * 2 * 2 * 2 * 2 * ( 33 / 24 ) = 432Hz.
E♭ (musical note) - Wikipedia
A = 432 Hz, Is it more healing, more "in tune" with the earth.
Vivaldi was a proponent of A = 432Hz, Wagner A440. The Four Seasons vs The Flight Of The Valkyries, made popular by Apocalypse Now.
A = 440 Hz was adopted somewhat universally on the eve of WWII. More strident, more warlike.
A = 432 Hz = A string 5h fret harmonic = 528 Hz, the solfeggio frequency for DNA repair.
As in it is quite possibly even more healing to play in Vivaldi's tuning.
Here are the freqs for A = 432 Hz for guitar and bass.
Guitar Tuning
A=432
E, 81 hz (6th string)
A, 108 hz (5th string)
D, 144 hz (4th string)
G, 193 hz (3rd string)
B, 242 hz (2nd string)
E, 323 hz (1st string)
Bass Guitar Tuning
A=432
E, 41 hz (4th string)
A, 54 hz (3rd string)
D, 72 hz (2nd string)
G, 96 hz (1st string)
What are the Solfeggio frequencies?
Solfeggio frequencies make up the ancient 6-tone scale thought to have been used in sacred music, including the beautiful and well known Gregorian Chants. The chants and their special tones were believed to impart spiritual blessings when sung in harmony. Each Solfeggio tone is comprised of a frequency required to balance your energy and keep your body, mind and spirit in perfect harmony.
| The main six Solfeggio frequencies are: 396 Hz – Liberating Guilt and Fear 417 Hz – Undoing Situations and Facilitating Change 528 Hz – Transformation and Miracles (DNA Repair) 639 Hz – Connecting/Relationships 741 Hz – Expression/Solutions 852 Hz – Returning to Spiritual Order |
|
According to Professor Willi Apel, the origin of the ancient Solfeggio scale can be traced back to a Medieval hymn to John the Baptist. The hymn has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher that the first syllable of the line that preceded it. Because the music held mathematic resonance, the original frequencies were capable of spiritually inspiring mankind to be more “god-kind”.
| The original Solfeggio scale was developed by a Benedictine monk, Guido d’Arezzo (c. 991 AD – c. 1050 AD). It was used by singers to learn chants and songs more easily. Today we know the Solfeggio scale as seven ascending notes assigned to the syllables Do-Re-Mi-Fa-So-La-Ti. The original scale was six ascending notes assigned to Ut-Re-Mi-Fa-Sol-La. The syllables for the scale were taken from a hymn to St. John the Baptist, Ut Queant Laxis, written by Paulus Diaconus. |
How were the frequencies discovered?
According to the documentation provided in “Healing Codes for the Biological Apocalypse“, Dr. Joseph Puleo was introduced, through an open vision, to the Pythagorean method of numeral reduction. Using this method, he discovered the pattern of six repeating codes in the Book of Numbers, Chapter 7, verses 12 through 83.
|
The Pythagorean reduction of these verse numbers is:
| Verse 12 = 1 + 2 = 3Verse 18 = 1 + 8 = 9Verse 24 = 2 + 4 = 6 | Verse 30 = 3 + 0 = 3Verse 36 = 3 + 6 = 9Verse 42 = 4 + 2 = 6 | …until verse 78 |
He found the next frequency by looking at verse 13, which is speaking of an offering. Six verses down, which is verse 19, the same offering or idea is repeated, six verses down at verse 25 there is another repeat, etc. Thus, by using the Pythagorean method of reduction, again he discovered a pattern. This pattern is 417. It is the second frequency. The rest of the frequencies were found using the same method.
The secret meanings of the ancient syllables
Each tone has its own unique potential
As you already know, the syllables used to denote the tones are: Ut, Re, Mi Fa, Sol, La. They were taken from the first stanza of the hymn to St. John the Baptist:
Ut queant laxis Resonare fibris
Mira gestorum Famuli tuorum
Solve polluti Labii reatum
Sancte Iohannes
Literal translation from Latin: “In order that the slaves might resonate (resound) the miracles (wonders) of your creations with loosened (expanded) vocal chords. Wash the guilt from (our) polluted lip. Saint John.”
In other words, so people could live together in peace and communicate in harmony about the miracle in their lives, and how God blessed them to produce this “magic”, people’s true unpolluted spiritual natures required revelation. The above text seems to suggest that Solfeggio notes open up a channel of communication with the Divine.
Each syllable was thoroughly studied by Dr. Puleo and other professional researchers. David Hulse, a sound therapy pioneer with over 40 years of experience, described the tones as the following: UT – 396 Hz – turning grief into joy, liberating guilt & fear RE – 417 Hz – undoing situations & facilitating change MI – 528 Hz – transformation & miracles, repairing DNA FA – 639 Hz – relationship, connecting with spiritual family SOL – 741 Hz – expression/solutions, cleaning & solving LA – 852 Hz – returning to spiritual order |
And this;
Why 432Hz?
The Law of Octaves: Every doubling of Hz yields a perceived pitch increase of one octave. i.e. A440 sounds like one octave above A220, and two octaves above A110, et cetera.
Units-wise 1Hz = 1 sec = 1/60min = 1/3600hr = 1/86400 or 1/60/60/24 earth rotation. Remember, the second is an important geometric measurement based on the speed of the earth's rotation, the "second" 1/60th division of the hour hour = (((1/2)/3)/4) of a day.
Everything moves a fixed distance every second just sitting on the planet.
So, 1Hz*28 = 256Hz=~C using the Law of Octaves, thus the earth spins in "C" at the second level, which is the same timeframe music operates on. Larger phenomena could be tuned to larger cycles.
Using Harmonic Just Intonation, set the 1/1 Root to C = 1/1. Thus the 27/16 maj6 is A, such that where C = 256 Hz and 512 Hz, A = 432 Hz within that octave, using ancient Pythagorean tuning methods.
TL;DR: (1 day/2/3/4/( 3 * 4 * 5 )/( 3 * 4 * 5 )) * 2 * 2 * 2 * 2 * 2 * 2 * 2 * 2 * ( 33 / 24 ) = 432Hz.
Last edited:
