parker_knoll
Senior Member
Agree wit dat sentiment ek-zak-lee.
I don't like the Guildsby B6 type on my SFIII. I'm forced to have another bridge made - at least partly because of the B6.
I use the B6 now & then. I think even in Jazz - which I play now & then - it can help you emphasize parts of a lead.
But a B7 with its extra tension bar would have been better on my guitar. Until I get a thicker floating bridge, I'm stuck playing
.12's on my SF III. With a harp tailpiece, I think I could string it with .10's. But I wouldn't remove it on the SFIII. I like the
potential of what it can do.
most people prefer the playing action of a B6 vs a B7. Less spongey, more immediate in response. But, obviously, horses for courses.