Actually, I may have this wrong, Al, but I think Load 'n Lock was a Guild-only product. It might've even been designed by Guild. Not at all sure why I think that, but seems to me I heard something about that at the time they discussed dropping it with us at the Let's Meet Guild event.
Don't recall ever hearing that.
But a little internet searching yielded these comments in post #5 of
this thread from the Seymour Duncan User Group Foum:
"Welcome to the UGF, Acuestick. By way of disclosure, I am a co-founder and one of the original owners of D-TAR, so my comments reflect my bias.
The 7/8" hole is only slightly wider diameter than the normal end-pin hole. And it's drilled in the end-pin block which is nearly tonally inert. There is a big aluminum collar that's removed for battery access. But the size of that collar isn't reflective of the diameter of the battery access hole.
Second, the Load 'n Lock (note the product name) is not available in the Multi-Source version. Just the standard, single-source WaveLength, and it's primarily an OEM product that was used semi-exclusively in mid-2000s USA-made Guilds."
Seems to confirm your "foggy memory" of it being exclusive, but I'd be surprised if Guild actually designed it just because it'd be outside of their wheelhouse at the time, but they may well have asked DTAR to give 'em construction proposals for an idea they had to fill a perceived need.
A light just went on:
Given that the "T" in DTAR is Rick Turner, of Alembicized SF Basses fame, there was already some shared heritage between 'em.
And if Guild was actually the primary user and moved on to the Dual Source that could explain why Duncan dropped it more than anything else.
Al, I think the Loc 'n Load was an 18v system. Mine did not quack and it was the best sound I ever got at stage volume (a sound-hole cover helped).
You are correct and I stand humbly corrected (thank you!), think I was confusing it with the transition from the Fishman Matrix to the DTAR system.
From that same thread linked above:
"Anyway, I think Fishman and Baggs made great products. In fact, the undersaddle element in the Multi-Source is the same one used in some Baggs systems (but everything else is D-TAR exclusive).
I just think D-TAR's high-voltage, high-headroom preamp is a "better mousetrap." YMMV. "
:tranquillity: