LoOky lOokY . . .

GAD

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Holy crap, that X175B sounds amazing!

I just spent a half hour watching youtube videos, and every damn one of them sounds amazing!

I might have to buy one of those. Damn, I didn't need to see that...
 

bobouz

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Thanks for posting Sleeko. I recently purchased an A-150b Savoy, and for some reason had not run into this video while researching the model.
 

Walter Broes

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Holy crap, that X175B sounds amazing!

I just spent a half hour watching youtube videos, and every damn one of them sounds amazing!

I might have to buy one of those. Damn, I didn't need to see that...
They're an awful lot of guitar for the money, absolutely. That said, I sold my own NS X175 last week - I just wasn't playing it. (I have two old ones with Franz pickups)
 

GAD

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They're an awful lot of guitar for the money, absolutely. That said, I sold my own NS X175 last week - I just wasn't playing it. (I have two old ones with Franz pickups)

How are the necks on the new X175s? I tend not to like older Guilds because of the tiny necks, though I love how they sound.
 

Walter Broes

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The neck is one of the things I liked most about it, and where you can tell Mike Lewis wasn't just talking when he said they copied the specs of the original guitars : I used to have a '60 X175, and I have a '60 CE100, and the neck was extremely similar to those two guitars.

A fairly meaty neck, closer to a 50's Gibson than the baseball-bats Gibson sells as "50's necks" these days. Not thin at all, with a back shape that's somewhere between a "U" and a round "C", not too much shoulder so it doesn't feel huge or clubby, but certainly not thin or small - quite a bit bigger than the early 60's Guilds I have. The fingerboard, again like the Guilds of the era it was inspired on, is pretty round, a 9.5" radius with frets that are a lot bigger than the vintage ones. They're what Fender calls a "medium jumbo" these days, but my tech said "this is what used to be called jumbo frets". Frets are exceptionally well-finished for a brand new Korean guitars, and as far as I could tell, the nut was bone, and nicely finished too. A tiny little bit on the tall side, like almost any new guitar.
 

Greenstone

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The first two guitars were played through the tweed amp with what must be a fuzz pedal. They didn't show the pedal, but definitely there. I own a tweed deluxe (that's the clapton version with tremelo) and there's no way it sounds like that without a fuzz in front of it. Can't get a good sense of how the pickups sound- like the next guitars through the princeton clean.
 

GAD

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The neck is one of the things I liked most about it, and where you can tell Mike Lewis wasn't just talking when he said they copied the specs of the original guitars : I used to have a '60 X175, and I have a '60 CE100, and the neck was extremely similar to those two guitars.

A fairly meaty neck, closer to a 50's Gibson than the baseball-bats Gibson sells as "50's necks" these days. Not thin at all, with a back shape that's somewhere between a "U" and a round "C", not too much shoulder so it doesn't feel huge or clubby, but certainly not thin or small - quite a bit bigger than the early 60's Guilds I have. The fingerboard, again like the Guilds of the era it was inspired on, is pretty round, a 9.5" radius with frets that are a lot bigger than the vintage ones. They're what Fender calls a "medium jumbo" these days, but my tech said "this is what used to be called jumbo frets". Frets are exceptionally well-finished for a brand new Korean guitars, and as far as I could tell, the nut was bone, and nicely finished too. A tiny little bit on the tall side, like almost any new guitar.

Very nice write-up. Thanks!

I think I need to find one to try.
 
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