Lusting after your mandolin, Bobuz. I'm hoping to score a LL model A someday, it's on my bucket list. As soon as I convince Mrs. Dread...
I first fell in love with the 'A' models after seeing Norman Blake play them in the late '70s & early '80s. Was fortunate enough to see him twice in small venues, and the fullness of his tone was very appealing. At some point, a 1919 'A' came into a shop I frequented back then with a broken headstock. No truss rod, and you could totally see the large V-shaped piece of ebony Gibson used to reinforce the neck, which was very interesting. I committed to buying it after repair, and it had a wonderful sound. Unfortunately, the neck had some bow in it, and without a truss rod, it could not be dialed out. On a mandolin, I need the neck to be almost dead-on straight to play comfortably, so eventually I sold it - but missed the tone terribly. When this 1922 example came along about ten years ago, I was so darn excited. Drove 80 miles to look at it, and was thrilled to see that even though it had obviously been played a lot, it was 100% structurally sound!Lusting after your mandolin, Bobuz. I'm hoping to score a LL model A someday, it's on my bucket list. As soon as I convince Mrs. Dread...